A Christmas tree-t.
A Christmas story about gratitude, adapted from a Hans Christian Andersen tale.
The eponymous little fir tree is discontented in the forest, especially when it sees other, bigger trees being cut down to build cabins and ships. People and animals alike praise the tree for its beauty, but it remains dissatisfied. Then the tree is cut down, and it goes to a home where people (all of whom appear white in the naïve illustrations) decorate it for Christmas. Here, the tree feels proud and wishes the woodland animals could see it. It also enjoys listening to a story—a moment that offers readers an intertextual reference to “The Snow Queen.” But when the decorations are removed, the fir tree doesn’t understand that it’ll be taken outside and put into a shed the next day. This fate brings sadness again, but the tree is eventually gladdened when children return it out-of-doors. Its limbs lacking the needles it once had, the tree glories in the fresh air and sunshine, seemingly happy to be outside. Where the original story ends dismally for the tree, Corr is kinder, building in a subtle circle-of-life arc. The final sentence notes that a squirrel’s larder, which presumably includes the fir tree’s cones, allows a new tree to grow. Throughout, opaque, daub-y paintings with a folk-art sensibility enliven the storytelling but do little to expand on the details of the text.
A Christmas tree-t. (Picture book. 3-6)Pub Date: Oct. 1, 2019
ISBN: 978-1-78603-662-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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