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THE LION HOUSE

THE COMING OF A KING

A vivid, you-are-there re-creation of time and place populated with well-delineated characters.

An eloquent historical investigation of a legendary ruler.

Suleyman I (the Magnificent), sultan of the Ottoman Empire from 1520 until his death in 1566, enjoyed a long and opulent reign during a time of much turmoil in 16th-century Europe. Known to the Turks as “the law-giver,” he engaged in numerous military campaigns and expanded the borders of the empire considerably, though his ambitions in this regard were secondary to the security of the realm. De Bellaigue, a noted historian, linguist, and journalist with a background in Islamic studies and Middle East reportage, does not render a scholarly biography of Suleyman but rather a series of interwoven character studies that set him against the two greatest ministers in the formative portion of his reign: Ibrahim Pasha, who became the sultan’s intimate friend, grand vizier, and commander of his armies; and Alvise Gritti, son of the Doge of Venice, an opportunistic Christian whose Machiavellian dealings catapulted him to the No. 3 position of power in the empire. The narrative is dominated by personal relationships, shifting alliances, intrigues, ambitions, betrayals, meteoric ascents, and precipitous falls. While the author offers sumptuous detail on the vast wealth and extravagance of the “Golden Age” Ottoman court and its beneficiaries, he devotes comparatively little space to Suleyman’s notable political and judicial reforms—nor to the specifics of the sultan’s patronage of the arts and culture apart from individual artisanship and grandiose display. But these would develop over time and seem almost incidental to de Bellaigue’s successful narrative approach. He is often writing as if in real time, and it is fitting that the sections of the book are called “acts,” for the writing has the quality and immediacy (if not the structure) of a Shakespearean play. The author includes a few hand-drawn maps and a section entitled “Persons of the drama,” both of which help orient readers.

A vivid, you-are-there re-creation of time and place populated with well-delineated characters.

Pub Date: Nov. 8, 2022

ISBN: 978-0-374-27918-9

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 19, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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THIS TIME NEXT YEAR WE'LL BE LAUGHING

An engaging childhood memoir and a deeply affectionate tribute to the author’s parents.

The bestselling author recalls her childhood and her family’s wartime experiences.

Readers of Winspear’s popular Maisie Dobbs mystery series appreciate the London investigator’s canny resourcefulness and underlying humanity as she solves her many cases. Yet Dobbs had to overcome plenty of hardships in her ascent from her working-class roots. Part of the appeal of Winspear’s Dobbs series are the descriptions of London and the English countryside, featuring vividly drawn particulars that feel like they were written with firsthand knowledge of that era. In her first book of nonfiction, the author sheds light on the inspiration for Dobbs and her stories as she reflects on her upbringing during the 1950s and ’60s. She focuses much attention on her parents’ lives and their struggles supporting a family, as they chose to live far removed from their London pasts. “My parents left the bombsites and memories of wartime London for an openness they found in the country and on the land,” writes Winspear. As she recounts, each of her parents often had to work multiple jobs, which inspired the author’s own initiative, a trait she would apply to the Dobbs character. Her parents recalled grueling wartime experiences as well as stories of the severe battlefield injuries that left her grandfather shell-shocked. “My mother’s history,” she writes, “became my history—probably because I was young when she began telling me….Looking back, her stories—of war, of abuse at the hands of the people to whom she and her sisters had been billeted when evacuated from London, of seeing the dead following a bombing—were probably too graphic for a child. But I liked listening to them.” Winspear also draws distinctive portraits of postwar England, altogether different from the U.S., where she has since settled, and her unsettling struggles within the rigid British class system.

An engaging childhood memoir and a deeply affectionate tribute to the author’s parents.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64129-269-6

Page Count: 314

Publisher: Soho

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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