An inventive and extensive counting experience that will delight youngsters.
Shaped pages help youngsters count to 10 and beyond.
Two stylish double-page spreads are devoted to each number one through 10 and then, counting by 10s, to 100. In the first spread, the right-hand side is a page-high, die-cut numeral that spills off the page; to its left, a squirrel holds an acorn. With the turn of the page, there’s a transformation. “One acorn becomes… / one oak tree!” A portion of the object, animal or person being altered is visible through the die-cut openings; a sand castle peeks through the “0” of the number 10, for instance. Once the page is turned, the background from the previous left-hand page merges with the full double-page spread. As in the earlier Alphablock (2013), the helpfulness of these visual hints is uneven. After 10, 20 caterpillars become 20 butterflies, 30 baskets of cucumbers become 30 jars of pickles, and 40 eggs become 39 chicks and one dinosaur. The whole shebang ends with 100 puzzle pieces fitting together into “one big puzzle!” in the book’s only double gatefold. Peskimo’s muted color palette and droll cartoon style works well with the playful concept. The same worries about the binding that arose with Alphablock are an issue here, but the conceit will likely appeal to older children anyway.
An inventive and extensive counting experience that will delight youngsters. (Board book. 2-4)Pub Date: Aug. 5, 2014
ISBN: 978-1-4197-1374-3
Page Count: 94
Publisher: Abrams Appleseed
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Who knew that turning the pages could be the best part of a book?
The concept of this picture book is simple enough: 10 birds topple, slip, and dive their way off the titular twig until there is one left. The text itself echoes familiar singsong-y children’s rhymes like “Five Little Pumpkins.” While it mostly succeeds, there are some awkward spots: “5 on a twig, there used to be more… / SNAP! Don’t say a word, now there are four.” (On each page the number is both spelled out and represented as a numeral). The real scene stealer, however, is the book’s interplay between Cole’s illustrations and the physical pages themselves. In much the same way Eric Carle utilizes the pages in The Very Hungry Caterpillar to show the little critter eating its way through the week, Cole uses pages of increasing width to show how the twig grows shorter as each bird falls and marches off purposefully with the others, all headed toward verso with pieces of twig in their beaks. Stylistically, the book is captivating. The very colorful, egg-shaped birds appear on a single, thin black line on a stark white background. This backdrop stands in powerful contrast to the book’s final two pages, which are set against black negative space, a theme echoed in the book’s feather-print endpapers. The heavy, thick pages make it easy for little hands to participate. The text takes a back seat to the playful and compelling design, which is sure to delight readers.
Who knew that turning the pages could be the best part of a book? (Picture book. 2-4)Pub Date: Sept. 1, 2020
ISBN: 978-1-72821-593-8
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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