by Christopher Greyson ‧ RELEASE DATE: July 14, 2014
A grand mystery that effectively introduces its series character.
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The first installment of Greyson’s (And Then She Was Gone, 2016, etc.) Detective Jack Stratton series features its protagonist in his pre-detective days, as a cop searching for his missing foster sister.
Officer Jack Stratton of the Fairfield Police hardly bats an eye when he comes home to find his on-again, off-again girlfriend Gina angrily leaving his apartment, as it’s a relatively common occurrence. But he’s definitely surprised to see another young woman there who seems very familiar. She goes by the nickname “Replacement”—Jack doesn’t immediately recall her real name—and she’d lived with his foster family well after he’d moved out. He hasn’t seen that family in years, as he blames himself for his foster brother Chandler’s death when they were both serving in Iraq. But Replacement has sought out Jack at the behest of their foster mom, whom they call Aunt Haddie; she wants Jack’s help in finding Michelle, Chandler’s biological sister, who inexplicably vanished a couple of weeks before. Police haven’t taken Michelle’s disappearance seriously, as it seems as if Michelle simply transferred to another college without telling her family. Jack and Replacement look into it, speaking to Michelle’s roommate and her colleagues at the psychology center, where she works part-time as a condition of her scholarship. But when they locate Michelle’s damaged car in an auto yard, things start to get suspicious. The investigation soon leads into dangerous territory as Jack and Replacement link Michelle’s disappearance to other missing people and a few dubious individuals, including drug dealers. The two sleuths are undoubtedly putting someone on edge, as both ultimately become targets. Although he’s still just a uniform cop, Jack displays the traits of a seasoned detective; for example, the sheriff had previously booted him to 90 days of late-night traffic detail for sticking his nose in someone else’s case. Jack’s investigation unfolds organically as he goes to wherever the latest piece of evidence takes him (such as a witness who saw kids around Michelle’s car). His interrogations range from breezy conversations with people he knows to occasional threats toward strangers. Greyson’s depictions of the interactions between Jack and Replacement are also worthwhile; although her myriad complaints are often trivial, they’re generally amusing, as when she shows her obvious distaste for Jack’s ringtone. There are also some quite profound moments, as when Replacement expresses anger at Jack for abandoning his family, while Jack still feels the effects of his birth mother leaving him when he was only 7. Replacement also proves to be much more than a sidekick; indeed, her hacking skills are such a benefit that it’s conceivable that she could have worked the case alone. The mostly straightforward prose is at its best when its tone is tongue-in-cheek, as when Jack’s Chevy Impala is described as having “way too many miles on it. Jack and the car were twins in that regard, but the Impala seemed to be running better than him right now.”
A grand mystery that effectively introduces its series character.Pub Date: July 14, 2014
ISBN: 978-1-4927-0787-5
Page Count: 262
Publisher: Greyson Media, LLC
Review Posted Online: Sept. 29, 2017
Review Program: Kirkus Indie
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by Douglas Preston & Lincoln Child ‧ RELEASE DATE: Dec. 31, 2018
Readers will love the quirky characters in this clever yarn. Pendergast and Coldmoon make an excellent pair.
The 18th installment in the Pendergast series by Preston and Child (City of Endless Night, 2018, etc.) gives the hero a partner in the hunt for a strange killer.
A woman walks a dog in a Miami Beach cemetery, and her dog finds a human heart. Soon more hearts turn up at the gravesites of women thought to have committed suicide a decade before. The FBI assigns agents Pendergast and Coldmoon to work with the Miami PD on the case. Pendergast is highly successful in closing cases on his own but “was about as rogue as they came,” and suspects tend not to survive his investigations. Agent Coldmoon’s secret assignment is to keep a close eye on his partner, “a bomb waiting to go off,” who tends to do something “out of left field, or of questionable ethics, or even specifically against orders.” The current victims are women whose throats have been slit and breastbones split open to remove their hearts, all in quick and expert fashion. The killer leaves notes at the graves, signed “Mister Brokenhearts.” This kind of weirdness is in Pendergast’s wheelhouse, as he’s an odd sort himself, quite outside the FBI culture. Rather like Sherlock Holmes, he sees patterns that others miss. He’s tall, gaunt, dresses like an undertaker, and always seems to have more money than the average FBI agent. Both men are great characters—Coldmoon curses in Lakota and prefers “tarry black” coffee that Pendergast likens to “poison sumac” and “battery acid.” They wonder about the earlier deaths and whether the women had really hanged themselves. For answers they require exhumations, new autopsies, and a medical examiner’s close examinations of the hyoid bones. Meanwhile the deeply troubled killer ponders his next action, which he hopes will one day wipe away his pain and guilt and bring atonement. Alligators, bullets, and a sinkhole contribute to a nerve-wracking finish.
Readers will love the quirky characters in this clever yarn. Pendergast and Coldmoon make an excellent pair.Pub Date: Dec. 31, 2018
ISBN: 978-1-5387-4720-9
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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edited by Margaret Atwood & Douglas Preston
by Tami Hoag ‧ RELEASE DATE: March 9, 1999
Hoag continues to exploit the theme of mutilated women (A Thin Dark Line, 1997, etc.) in a romance thriller about the hunt for a serial killer. Someone in Minneapolis is tying down women, then raping, torturing, and killing them. While they’re still alive, the attacker sticks knives into the soles of their feet, then cuts off their nipples and aureoles. After they die, he stabs them in a ritual pattern, slices off their tattoos, and burns their bodies beyond recognition; to relive his moments of triumph, he audiotapes their screams for mercy and death. He’s the “Cremator”: just another “sadistic sexual serial killer” with low self-esteem and an abused childhood behind him. His first two victims are prostitutes, but when he turns his hand to Jillian Bondurant, the daughter of a billionaire, Minnesota calls in FBI agent John Quinn, world-famous expert on serial killers and related ilk. In the Twin Cities, Quinn is reunited with his ex-lover Kate Conlan, a former FBI expert in violent crime and the only woman he could ever really love. After the death of her daughter and a bitter divorce, Kate has moved to Minnesota and become a victim- and witness- advocate. In that capacity, she’s assigned to watch over Angie DiMarco, a runaway teenager who spied the Cremator while she was turning a trick in the park. As lots of tawdry details are dug up about Jillian (incest, etc.), the killer tortures and murders another woman, kills a small dog (in romance, always a sign of irredeemable evil), then begins to plot against Kate herself. Hoag’s strong dose of S&M resolves in fire, blood, stabbings, and Kate spread-eagled on a table. Though Hoag grows more and more adept at juggling a complex plot, her sort of violent entertainment isn—t for everyone.
Pub Date: March 9, 1999
ISBN: 0-553-10633-3
Page Count: 496
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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