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JACK FROST

From the A Detective Jack Stratton Novel series

An unequivocal series highlight with a laudable blend of action and mystery.

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Investigating a reality TV show that’s facing threats and accidents, PI Jack Stratton finds himself snowbound with a murderer in the continuation of Greyson’s (The Girl Who Lived, 2017, etc.) thriller series.

Ex-cop Jack and his fiancee, Alice, jump at the chance to do investigative work for McAlister Insurance. The undercover gig involves the reality competition show Planet Survival, which lost a crew member in an avalanche last year and more recently received a note threatening other crew members’ lives. There’s no discernible connection between these events, but the insurance company wants Jack and Alice to ensure they’re unrelated. Producer Leah Coleman, however, wants Jack to travel solo to Mount Minuit with the cast and crew. Alice isn’t happy about Jack going alone, but she can look into the alleged accident at home, and there’s no Wi-Fi or cell service on the mountain. Moreover, she has a lot on her plate. She asks Kiku Inuzuka, a dangerous but dependable female yakuza (Japanese mobster), to help track down the man. On Mount Minuit, Jack poses as the crew’s gofer, enduring bully/cameraman Ollie and the show’s insufferable host, Gavin Maddox. But a menace looms: someone is leaving more threatening messages and sabotaging gear. Aggravating their troubles is a blizzard, which makes it exceedingly difficult to search for the people who go missing, some of whom later turn up dead. While Greyson’s preceding installment was a breezy mystery, this one significantly cranks up the action. The crew, for one, has avalanche charges, which can control when a potential snowslide will occur and likewise pose a constant threat with a killer on the loose. The author fills the pages with atmosphere befitting the turbulent blizzard, including Jack discovering unknown footprints in the snow or short-roped with contestant Chiri during a particularly furious wind. At the same time, there’s a sturdy whodunit running throughout: as Jack struggles to keep himself and others alive, Alice is unraveling the bizarre circumstances of a crew member’s avalanche death. She inches closer to a killer’s identity, which is not immediately revealed to readers. Adding to the already dense mystery is Kiku’s advancing manhunt. The ragtag crew generates myriad murder suspects but also provides fodder for a biting critique of reality shows. The magic of television, for example, presents one individual as wholly capable when the opposite is true. And while Jack, as gofer, incurs blame for most on-set mishaps, the former military man could theoretically be a contestant, using his skills to survive severe weather and a nameless murderer. There are shades of humor, though it’s mostly dark. Perhaps the best moment is Jack assuring everyone he’s not the killer by pointing out that he could—but hasn’t—killed every person in the room.

An unequivocal series highlight with a laudable blend of action and mystery.

Pub Date: April 19, 2018

ISBN: 978-1-68399-083-3

Page Count: 254

Publisher: Greyson Media Associates

Review Posted Online: April 27, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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