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ARGUABLY

ESSAYS

A new collection of essays from Hitchens (Hitch-22: A Memoir, 2010, etc.), his first since 2004.

Whether on the invasion of Iraq or the merits of Vladimir Nabokov’s fiction, master controversialist Hitchens has an informed opinion. Here he gathers a hefty helping of work over the last few years, published in venues such as the Atlantic and Vanity Fair. Sometimes his pieces concern passing matters, though they are seldom ephemeral themselves; more often he writes about what he wishes to write about, topics that require weighty but not dense (and usually not heavy-handed) consideration. On Gore Vidal, for instance, Hitchens gets in a lovely zinger worthy of Vidal himself: “The price of knowing him was exposure to some of his less adorable traits, which included his pachydermatous memory for the least slight or grudge and a very, very minor tendency to bring up the Jewish question in contexts where it didn’t quite belong.” Hitchens balances old interests with new discoveries; he was one of the first to write at length about Stieg Larsson, for instance, whose death by “causes that are symptoms of modern life” he endorses. He also turns to his long-standing fascination for the totalitarian mind. He characterizes Adolf Hitler as holding opinions that are “trite and bigoted and deferential,” while “the prose in Mein Kampf is simply laughable in its pomposity.” Hitchens revels in theoretical questions and in stirring up trouble: His pieces on religion seem calculated to offend as many believers as possible, which is of course the point. Still, he is also practical, offering up some fine advice on how to argue points over a Georgetown dinner table or down at the local watering hole—just say, “Yes, but not in the South?” and, he avers, “You will seldom if ever be wrong, and you will make the expert perspire.” Vintage Hitchens. Argumentative and sometimes just barely civil—another worthy collection from this most inquiring of inquirers.

 

Pub Date: Sept. 1, 2011

ISBN: 978-1-4555-0277-6

Page Count: 776

Publisher: Twelve

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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