A broad, well-crafted satire of political radicalization.
Some right-wing malcontents get in over their heads with an ocean-based secessionist movement in this debut comic novel.
North Carolina mechanic and Civil War reenactor Gage Randolph, recently unemployed, has just been paid to dig up Stonewall Jackson’s arm for a wealthy collector. Gage has the arm beside him in his Ford Bronco when he’s involved in a three-car accident. One of the other vehicles contains progressive TV host Monica Bell, who—right at the moment of impact—is conducting a call-in debate on right-winger Bill Spark’s internet radio show. The third car is piloted by Jacob Kelley, the so-called Unacrapper, on the run from the law after unsuccessfully attempting to blow up the IRS using a bomb made from his own feces (an act inspired by the same show that Monica has called in to). The two male drivers panic and kidnap the unconscious Monica, bringing her to Gage’s friend’s recently shuttered breast-themed wing restaurant. Now wanted for a whole slew of crimes, Gage and his assorted anti-government friends hatch a scheme to gain citizenship on FreedomLand, the mobile oil rig of anti-tax billionaire Zacharias Townsend. But Gage will soon learn that the conspiracy-fueled anarchic utopianism of people like Spark and Townsend may not be the best lodestar for a simple man like himself. Christopher Jackson’s prose blends madcap humor and Southern wit: “Honey, Gage dug up Stonewall Jackson’s arm and then kidnapped Monica Bell and the Unacrapper,” one of Gage’s friends tells his fiancee. “At several points during his evening, he could have opted not to commit a felony, and he blew past all of ’em.” The book skewers many recognizable figures and talking points on the American right, but the author’s characters are specific and original enough for readers to accept them as their own personalities. What’s more, he treats them and their views empathetically, exploring the motivations and emotions behind them. The author doesn’t have many answers to America’s problem of bitter partisanship, but he has provided a funny and fast-paced sendup of it for readers’ enjoyment. As things spin further and further out of control, they somehow become more cathartic.
A broad, well-crafted satire of political radicalization.Pub Date: July 1, 2021
ISBN: 978-1-09-838029-8
Page Count: 324
Publisher: BookBaby
Review Posted Online: April 17, 2021
Kirkus Reviews Issue: May 15, 2021
Review Program: Kirkus Indie
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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