A broad, well-crafted satire of political radicalization.
Some right-wing malcontents get in over their heads with an ocean-based secessionist movement in this debut comic novel.
North Carolina mechanic and Civil War reenactor Gage Randolph, recently unemployed, has just been paid to dig up Stonewall Jackson’s arm for a wealthy collector. Gage has the arm beside him in his Ford Bronco when he’s involved in a three-car accident. One of the other vehicles contains progressive TV host Monica Bell, who—right at the moment of impact—is conducting a call-in debate on right-winger Bill Spark’s internet radio show. The third car is piloted by Jacob Kelley, the so-called Unacrapper, on the run from the law after unsuccessfully attempting to blow up the IRS using a bomb made from his own feces (an act inspired by the same show that Monica has called in to). The two male drivers panic and kidnap the unconscious Monica, bringing her to Gage’s friend’s recently shuttered breast-themed wing restaurant. Now wanted for a whole slew of crimes, Gage and his assorted anti-government friends hatch a scheme to gain citizenship on FreedomLand, the mobile oil rig of anti-tax billionaire Zacharias Townsend. But Gage will soon learn that the conspiracy-fueled anarchic utopianism of people like Spark and Townsend may not be the best lodestar for a simple man like himself. Christopher Jackson’s prose blends madcap humor and Southern wit: “Honey, Gage dug up Stonewall Jackson’s arm and then kidnapped Monica Bell and the Unacrapper,” one of Gage’s friends tells his fiancee. “At several points during his evening, he could have opted not to commit a felony, and he blew past all of ’em.” The book skewers many recognizable figures and talking points on the American right, but the author’s characters are specific and original enough for readers to accept them as their own personalities. What’s more, he treats them and their views empathetically, exploring the motivations and emotions behind them. The author doesn’t have many answers to America’s problem of bitter partisanship, but he has provided a funny and fast-paced sendup of it for readers’ enjoyment. As things spin further and further out of control, they somehow become more cathartic.
A broad, well-crafted satire of political radicalization.Pub Date: July 1, 2021
ISBN: 978-1-09-838029-8
Page Count: 324
Publisher: BookBaby
Review Posted Online: April 17, 2021
Kirkus Reviews Issue: May 15, 2021
Review Program: Kirkus Indie
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
A weird, wild ride.
Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.
Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.
A weird, wild ride.Pub Date: June 21, 2022
ISBN: 978-0-593-18319-9
Page Count: 368
Publisher: Dutton
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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