Newcomer Renino offers a remarkably affecting debut about a young man's coming of age in postWW II Brooklyn. It's 1947, and 19-year-old Vince Stigiano (who was too young for the war that claimed the lives of so many schoolmates) is working as a batboy with the Brooklyn Dodgers. The sole support of a widowed mother who's recovering from TB, Vince takes in stride the conferred glamour of a dream job with the community's beloved Bums. Quiet Vince also understands that the often bitter realities of his own life are not so different from the difficulties experienced by a ballclub simultaneously trying to assimilate Jackie Robinson (the first African-American to play in the majors) and win the National League pennant. As the home team begins winning consistently, Sam LaVista, Vince's closest friend, makes a delayed return from the Army Air Corps, having served as a fighter pilot. While Vince attempts to help Sam readjust to civilian life, he becomes romantically involved with Sam's younger sister Alma. But traumatized by the combat deaths of fellow fliers, the onetime golden boy refuses Vince's help. Then Alma decides to attend the University of Cincinnati (where Vince can see her only on road trips). Finally cured after a midsummer stay at Saranac Lake, moreover, Vince's mother is considering remarriage. On the plus side of his ledger, the Dodgers finish an exciting season on top of the standings and play the Yankees for the world championship. At the close, Vince refuses an offer to return to the Dodgers in 1948 and prepares to make a life for himself, perhaps with Alma. An engaging, sure-handed first novel that uses baseball and an outer-borough milieu to excellent advantage in evoking a seemingly simpler time, when youth's losses were as painful as ever but its griefs more privately held.
Pub Date: May 31, 1997
ISBN: 0-312-15686-3
Page Count: 352
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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