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THE WAY HOME IS LONGER

Newcomer Renino offers a remarkably affecting debut about a young man's coming of age in postWW II Brooklyn. It's 1947, and 19-year-old Vince Stigiano (who was too young for the war that claimed the lives of so many schoolmates) is working as a batboy with the Brooklyn Dodgers. The sole support of a widowed mother who's recovering from TB, Vince takes in stride the conferred glamour of a dream job with the community's beloved Bums. Quiet Vince also understands that the often bitter realities of his own life are not so different from the difficulties experienced by a ballclub simultaneously trying to assimilate Jackie Robinson (the first African-American to play in the majors) and win the National League pennant. As the home team begins winning consistently, Sam LaVista, Vince's closest friend, makes a delayed return from the Army Air Corps, having served as a fighter pilot. While Vince attempts to help Sam readjust to civilian life, he becomes romantically involved with Sam's younger sister Alma. But traumatized by the combat deaths of fellow fliers, the onetime golden boy refuses Vince's help. Then Alma decides to attend the University of Cincinnati (where Vince can see her only on road trips). Finally cured after a midsummer stay at Saranac Lake, moreover, Vince's mother is considering remarriage. On the plus side of his ledger, the Dodgers finish an exciting season on top of the standings and play the Yankees for the world championship. At the close, Vince refuses an offer to return to the Dodgers in 1948 and prepares to make a life for himself, perhaps with Alma. An engaging, sure-handed first novel that uses baseball and an outer-borough milieu to excellent advantage in evoking a seemingly simpler time, when youth's losses were as painful as ever but its griefs more privately held.

Pub Date: May 31, 1997

ISBN: 0-312-15686-3

Page Count: 352

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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