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A PLANET OF 3 BILLION

MAPPING HUMANITY'S LONG HISTORY OF ECOLOGICAL DESTRUCTION AND FINDING OUR WAY TO A RESILIENT FUTURE - A GLOBAL CITIZEN'S GUIDE TO SAVING THE PLANET

A book that offers an engaging and sometimes-frightening dose of overpopulation reality.

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Tucker argues for the benefits of decreasing Earth’s population in this debut work on sustainability.

Earth has a carrying capacity, according to the author, and it’s less than half the number of human beings that it currently has: “In effect, humanity has been on a century-long binge,” he says, “featuring exponential population growth, continuous growth in industrial output and individual consumption, and the ecological devastation that goes with it.” He argues that the ideal population is 3 billion people—approximately the number that were alive on Earth in the mid-20th century. This may sound like a low number, but Tucker’s method of calculating it sounds quite reasonable. The population is not only growing, but becoming increasingly “middle class,” he asserts, meaning that each person is able to consume more things and generate more waste. Even if the population were to stabilize and humanity found new, hyperefficient ways to recycle its trash, the author argues that we’ve already passed the point of sustainability given the size of the planet and its amount of resources. The author presents and analyzes many different population-sustainability hypotheses and also examines historical trends from humanity’s first 200,000 years, which had relatively minuscule population growth. Tucker then lays out his case for why estimates above 3 billion are, in his opinion, starry-eyed. So what, then, do we do with all the extra people? The author has a long-term plan—and it’s actually much simpler, and less sinister, than one might think. In the second half of the book, the author provides a strategy for getting back to a sustainable civilization—an act that he characterizes not as a retreat or decline but as a chance for a new beginning. This book has a premise that’s likely to alarm the vast majority of readers at first glance, but Tucker executes his argument in a tone that’s calm and even cordial. Although he admits that his target number might be wrong—and encourages others to attempt to raise it, based on the available data—he shows a deep familiarity with the issue of overpopulation and comes to his argument armed with information. Indeed, many readers may find themselves marveling at the complexity of Earth’s resource cycle, as he lays it out. Even those who finish the book unconvinced of the necessity of curbing Earth’s population will get a better understanding of the factors that go into human sustainability—and of how easily they can become imbalanced. In the end, Tucker’s primary theme seems to be that humankind needs to start thinking about its problems in a geographic framework: “Without a shared geographical understanding of our planet, our species, and the civilizations we have created, we will soon find ourselves unable to deal with the unfortunate consequences of ignoring certain realities about our planet.” This is a book that may initially inspire fear, but ideally, it will also be one that engenders discussion.

A book that offers an engaging and sometimes-frightening dose of overpopulation reality.

Pub Date: Sept. 9, 2019

ISBN: 978-0-578-51530-4

Page Count: 342

Publisher: Atlas Observatory Press

Review Posted Online: Aug. 30, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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