Next book

IN RUINS

Rich, allusive, learned, delightful. (42 illustrations)

A perceptive British museum director speculates on the significance of architectural ruins for artists, writers, and the rest of us.

The author wastes no time establishing his literary and artistic credentials: the first page alone contains allusions to Henry James, The Planet of the Apes, Gustave Doré, and “Ozymandias.” (Shelley’s entire sonnet appears later, as does a lengthy disquisition on his second wife’s dystopian novel, The Last Man.) But Woodward’s considerable skills as a writer make all this—and much more—go down easily; not a breath of pretension emanates from his engaging, illuminating volume. Eleven essays connected by theme and style discuss ruins of all sorts—crumbling antiquities, restorations (some he likes, some he abhors), war-damaged landmarks, even “ruins” created in the age of the picturesque to please the eye and engage the imagination. Woodward roams the Western world (mostly) to examine a variety of sites ranging from Lord Byron’s Newstead Abbey to Dresden’s Frauenkirche, destroyed by Allied bombers in WWII. (An equal-opportunity historian, he examines the responses in England to the Nazi bombing of English churches: some were razed, some, like Coventry, established as memorials.) At Rome’s Baths of Caracalla, in whose lush, verdurous ruins Shelley composed much of Prometheus Unbound, Woodward notes that the poet would not today find much inspiration; assiduous archaeologists have employed weed-killers and a rigid notion of preservation to destroy the allure of the site, which is now all stone and keep-off-the-grass signs. Woodward romantically argues that nature and the ruin must interact if the site is to inspire the artistic imagination. (His own volume, of course, is a counter-argument: he found fecundity in the infertility at Caracalla.) In his essay on the ruins of war and what to do about them, one wonders why he neglects the sites of the Nazi death camps: Auschwitz decays; Bergen-Belsen does not.

Rich, allusive, learned, delightful. (42 illustrations)

Pub Date: Oct. 8, 2002

ISBN: 0-375-42199-8

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

Awards & Accolades

Likes

  • Readers Vote
  • 75


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 75


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Next book

GOOD ECONOMICS FOR HARD TIMES

Occasionally wonky but overall a good case for how the dismal science can make the world less—well, dismal.

“Quality of life means more than just consumption”: Two MIT economists urge that a smarter, more politically aware economics be brought to bear on social issues.

It’s no secret, write Banerjee and Duflo (co-authors: Poor Economics: A Radical Rethinking of the Way To Fight Global Poverty, 2011), that “we seem to have fallen on hard times.” Immigration, trade, inequality, and taxation problems present themselves daily, and they seem to be intractable. Economics can be put to use in figuring out these big-issue questions. Data can be adduced, for example, to answer the question of whether immigration tends to suppress wages. The answer: “There is no evidence low-skilled migration to rich countries drives wage and employment down for the natives.” In fact, it opens up opportunities for those natives by freeing them to look for better work. The problem becomes thornier when it comes to the matter of free trade; as the authors observe, “left-behind people live in left-behind places,” which explains why regional poverty descended on Appalachia when so many manufacturing jobs left for China in the age of globalism, leaving behind not just left-behind people but also people ripe for exploitation by nationalist politicians. The authors add, interestingly, that the same thing occurred in parts of Germany, Spain, and Norway that fell victim to the “China shock.” In what they call a “slightly technical aside,” they build a case for addressing trade issues not with trade wars but with consumption taxes: “It makes no sense to ask agricultural workers to lose their jobs just so steelworkers can keep theirs, which is what tariffs accomplish.” Policymakers might want to consider such counsel, especially when it is coupled with the observation that free trade benefits workers in poor countries but punishes workers in rich ones.

Occasionally wonky but overall a good case for how the dismal science can make the world less—well, dismal.

Pub Date: Nov. 12, 2019

ISBN: 978-1-61039-950-0

Page Count: 432

Publisher: PublicAffairs

Review Posted Online: Aug. 28, 2019

Kirkus Reviews Issue: Sept. 15, 2019

Close Quickview