by Christy Mandin ; illustrated by Christy Mandin ‧ RELEASE DATE: July 1, 2025
Nighttime comes alive here.
The protagonist of Millie Fleur’s Poison Garden(2024) once more teaches the townspeople a lesson in stepping out of their comfort zones.
The residents of Garden Glen fear the dark and keep their homes illuminated all night. All but Millie Fleur La Fae. She adores darkness and, since moving here, has missed the nocturnal creatures that avoid the lit-up town. “The Dark isn’t scary,” Millie Fleur assures the townspeople. “You just need to get to know her.” Together, Millie Fleur and the Dark, a hulking being with glowing eyes standing by the forest’s edge, lead the night creatures to her moon garden, where plants burst with delicious aromas that waft through town. Bearing lanterns, the enchanted young neighbors follow their noses to the garden, where Millie Fleur advises them to extinguish their lights. Plants with quirky names like Forty-winks Fern and Snoozing Sugarplum safely light their path. Initially timid, the kids soon discover that the Dark offers new and rewarding experiences. Thereafter, Garden Glen’s lights dim, moon gardens flourish, night creatures settle in, and the town embraces darkness. This warm and pleasant bedtime tale will reassure kids frightened of the dark. Mandin makes a strong case that nighttime should be savored; her work will spark a sense of wonder about natural phenomena not evident during the day. The digital illustrations—set, unsurprisingly, against mostly blue backgrounds—are lovely, infused with a sweetly gothic sensibility. Millie and her mom are pale-skinned; the neighbors are racially diverse.
Nighttime comes alive here. (author’s note about real-life night creatures) (Picture book. 4-7)Pub Date: July 1, 2025
ISBN: 9781339023373
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Aug. 18, 2026
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.
Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.
After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)Pub Date: Aug. 18, 2026
ISBN: 9780063436121
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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