In a secular age, here's an attempt to respiritualize the calendar with a year's worth of essays—some reprinted from Christianity Today and Modern Liturgy—covering every major Christian feast. The Chrysostom Society, whose members authored this collection, is a loose affiliation of Christian writers who assemble once a year to discuss their work. A few big names jump out—Madeleine L'Engle, Walter Wangerin, Jr., Gregory Wolfe, Larry Woiwode—but the rest are lesser lights. The title notwithstanding, only a handful of the pieces here are fiction—most notably L'Engle's quirky tale (``Transfiguration'') of a man, a thief, and a merry Christmas—with the bulk being memoirs of happy childhood or struggling adulthood. Five authors chip in twice: Wangerin, who longs to be pregnant like Mary (``Annunciation'') and recalls his boyhood desire to see Jesus (``Maundy Thursday''); Emilie Griffin, who exposes the religious roots of Mardi Gras in ``Shrove Tuesday'' and pays homage to the ``Solemnity of Mary''; William Griffin, who lauds ``All Saints'' and compares Herod's slaughter of first-born males (``Holy Innocents'') to modern-day abortion; Robert Siegel, with poems marking ``Ash Wednesday'' and ``Palm Sunday''; and Virginia Stem Owens, who commemorates Christ's Passion in ``Passion Sunday'' and ``Good Friday'' (``the day you can do nothing''). Among the best of the rest, Alice Slaiku Lawhead struggles to remember God in the midst of ``Advent''; editor Peterson (Spiritual Theology/Regents College) recalls the ``Christmas'' that his parents skipped the tree, a lesson in humility; ``Trinity Sunday'' triggers memories of early loves for Karen Burton Mains; Philip Yancey learns the meaning of ``irreversible'' on ``Easter Sunday.'' Harold Fickett, Luci Shaw, John Leax, Gregory Wolfe, Calvin Miller, Shirley Nelson, and Stephen R. Lawhead round out the contributors, who invariably catch the essence of the holidays in well-mannered prose shimmering with images of candles, angels, a loving God. A clever conceit, carefully crafted—and just in time for Christmas.
Pub Date: Nov. 1, 1992
ISBN: 0-02-525430-8
Page Count: 256
Publisher: Palgrave Macmillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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