Readers’ choice whether this is a coded message, a spiked cocktail, or just a secret love letter to art.
The kids are most definitely not all right in a near future that can’t decide whether to drug them, kill them, or promote them.
“WAKE UP, YOU BASTARDS!” That barbaric yelp might not be the most traditional finale, but here we are back in the land of Chuck. This is not Palahniuk’s first foray into teen angst—see Damned (2011) and Doomed (2013) for lighter fare. This time he’s way more interested in pulling apart the building blocks of story and self than subverting conventional dystopian tropes. In this bizarro version of America, the powers that be launch an ill-fated attempt to rescue society—covertly encouraging the country’s largely illiterate youth to read books laced with everything from Ritalin to powerful hallucinogenics. Simultaneously, our best and brightest are targeted with a standardized test that neutralizes societal disruptors: “You cherry-pick. You hunt for kids likely to create seismic shifts in culture and technology, and you weed them out.” Once ripe, they’re sold by their parents to a postmodern slave market and repurposed from saviors into heads of state and corporate overlords: “Okay, it was a severly fucked-up system, buut a systm.” Here comes steely-eyed Samantha Deel, destined to become the actual Queen of England, but so unhappy to be losing her dreams of singing that she maims herself. Yes, she’s the hero, along with her formerly dead boyfriend, Garson, and a gender-bent, self-described “interventionist” named War Dog, but don’t get too excited. Although there are a few familiar wisps of YA dystopia here, The Hunger Games it’s not. Peppering his book with passages and phrases from The Great Gatsby, Anna Karenina, and The Hunchback of Notre-Dame, Palahniuk is clearly enjoying himself, but he’s also drilling down into the titular idea—a psychic or spiritual kick that gets you out of your own head for once.
Readers’ choice whether this is a coded message, a spiked cocktail, or just a secret love letter to art.Pub Date: Oct. 8, 2024
ISBN: 9781668021446
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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