By no means a stand-alone but—like the entire saga—essential for any epic-fantasy collection and catnip for lovers of the...

SHADOWCASTER

From the Shattered Realms series , Vol. 2

The storyline shifts to the reluctant princess-heir of the Fells in this second chronicle of the next generation of wizards and warfare in the Seven Realms.

Alyssa ana’Raisa is not yet 16 but already a seasoned officer in the endless war against Arden. Her unexpected victories include capturing one Capt. Halston Matelon, a potentially useful pawn, and the magemarked street busker Breon, roped into an assassination plot that may lead back to the latest sinister threat to the Realms. Readers eager for updates on Ash and Jenna (Flamecaster, 2016) may be frustrated by the scant tidbits here, but they’ll be more than satisfied with the author’s distinctive, immersive worldbuilding, dense plotting, and complex characterization. Lyss and Hal are both blunt, honorable, war-weary soldiers whose mutual recognition of a kindred soul across battle lines lends conviction to their star-crossed romance even as Breon’s charming braggadocio and painful naiveté supply an appealing foil. While both Hal and Breon are white, Lyss’ dark skin and wheaten hair indicate her mixed ancestry; the many supporting characters represent “a quilt of faces of all colors, all ages, and every social class.” Despite the absence of any overarching narrative arc, the hurtling pace keeps the pages turning through heated battles and embraces, daring plots and escapes, right up to the abrupt cliffhanger ending.

By no means a stand-alone but—like the entire saga—essential for any epic-fantasy collection and catnip for lovers of the genre. (Fantasy. 12-adult)

Pub Date: April 4, 2017

ISBN: 978-0-06-238097-5

Page Count: 560

Publisher: HarperTeen

Review Posted Online: Feb. 4, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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