by Cindy Jin ; illustrated by Shirley Ng-Benitez ‧ RELEASE DATE: April 2, 2019
A well-meaning though flawed introduction to the many cultures of our world.
Young children can learn to say “good night” in 10 different languages.
The rhyming text tells children “We can say ‘good night’ / in many different ways,” and “the words may be different, / but we all sleep under the same bright moon.” Each double-page spread presents warm portraits of smiling families from around the world along with the way they say good night—in the original Latin alphabet or non-Roman script followed by transliterated form, as the case may be, and the phonetic spelling to help readers not familiar with the language: “Buenas noches (bway-nas no-chase)” for Spanish; “Tisbáh ala-kháyr (tis-bah a-la khair)” for Arabic. The facing page repeats the words in their original script, phonetic spelling, and name of the language. To demonstrate that some languages are spoken in more than one country, the author has avoided the obvious—China/Chinese, France/French, or Germany/German—and has instead made different pairings: Singapore/Chinese, Cameroon/French, and Austria/German. Such attention to the written form of words presents a discord between the board-book presentation and the intended audience, which could not be the toddler set but rather preschoolers with an awareness of the written word. However, caregivers who are ready to practice the phonetics before they read with their children will be able to approximate some of these languages’ sounds.
A well-meaning though flawed introduction to the many cultures of our world. (Board book. 3-5)Pub Date: April 2, 2019
ISBN: 978-1-5344-3159-1
Page Count: 12
Publisher: Little Simon/Simon & Schuster
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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PERSPECTIVES
by Ellie Hattie ; illustrated by Tim Warnes ‧ RELEASE DATE: Sept. 15, 2020
Like marshmallow on top of caramel.
Little Bear loves everything about Christmas, but there’s one thing he loves even more.
The Bear household is busily getting ready for Christmas. Mommy Bear wraps and bakes; Daddy Bear brings home a humongous tree; Little Bear exults in it all. With each new Christmas tradition that’s introduced, from opening Christmas cards to receiving carolers, Little Bear sings a song that celebrates it. “I love ornaments, and garland, and lights on a string, / candy canes, stockings—and all of the things / that make Christmas perfect—oh, yes, I do! / But the thing that I love more than Christmas is—” But before Little Bear can complete his rhyme, each time he is interrupted by a new element of Christmas to celebrate. Since that terminal rhyme is always set up with one that ends with an “oo” sound, readers will not be surprised in the least when Mommy and Daddy interrupt him one last time with an emphatic “YOU!” It’s all so uber-idealized readers may find themselves gagging on the syrup—it even seems to get at Hattie: Daddy Bear’s smug “What an exceedingly talented family we are” has a whiff of irony to it. Warnes’ cartoon bears inhabit a cozy, middle-class home; while the carolers are clothed, the Bear family is not, but readers may notice a white marking on Mommy Bear’s chest where a string of pearls might rest.
Like marshmallow on top of caramel. (Picture book. 3-5)Pub Date: Sept. 15, 2020
ISBN: 978-1-68010-208-6
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Emilia Bechrakis Serhant ; illustrated by E.G. Keller ‧ RELEASE DATE: March 24, 2020
Though it looks like a book for longed-for children, it’s really for their parents.
A poetic ode to women who became mothers despite the challenges they faced.
Whether navigating the roughest seas, crossing the hottest deserts, or pushing through painful brambles, the mothers in this book know their long, hard journeys were worth the effort. There might have been failure and doubt, but now that it’s all over, they know they’d “do it all over again. For you.” First-person narration expresses in metaphor the extraordinary lengths some mothers will go to achieve their dream of holding a child in their arms. Sentimental and flowery, the text is broad enough to apply to the journeys of many mothers—even though the text is gender neutral, the illustrations clearly center the mother’s experience. At times another figure, often male-presenting, is shown alongside a mother. Soft, jewel-toned illustrations peppered with textures depict families with a variety of skin tones and hair colors/textures. The assortment of mothers shown demonstrates the universality of the message, but it also contributes to the absence of a strong visual throughline. In the concluding author’s note, Serhant shares her personal struggle to conceive her child, which included fertility treatments and IVF. Ultimately, although the sentiment is lovely, the message is too abstract to be understood by children and will be better received and appreciated by parents.
Though it looks like a book for longed-for children, it’s really for their parents. (Picture book. 3-5)Pub Date: March 24, 2020
ISBN: 978-0-593-17388-6
Page Count: 32
Publisher: Random House
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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