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THE PROBLEM WITH PIERRE

Engaging, charming, and tender.

Bertram and Alan are good neighbors and “great friends.”

In this British import, brown-skinned, bespectacled Bertram is a tidy minimalist while Alan, a White, wild-haired redhead, prefers a comfortable mess. Bertram acquires Pierre, a cat with a haughty air, to add warmth to his rather stark home. He provides Pierre with both a fancy cat bed and meals in a fine china bowl, but Pierre spurns them—he even refuses to sit on the elegant sofa. In fact, the cat spends most of the time at Alan’s home, where he eats scraps from an old bowl, naps on an old soft coat, and cuddles next to Alan on his beat-up sofa. Understanding how his friend feels about his cat’s defection, Alan urges him to borrow the coat and the bowl. Pierre now spends his days with Bertram, but evenings are still spent with Alan on his sofa. So generous Alan lends Bertram his sofa, and all is well at Bertram’s. But now Alan is uneasy in his changed space. This time it is Bertram who has the generous solution. A wall is demolished, furniture is merged, and the friends join their homes. Smouha writes straightforwardly and empathetically in this tale of a strong friendship between two dissimilar men who respect and care for each other. Text is set within white spaces in Hubbard’s bright, detailed cartoons, which vary among vignettes and single- and double-page spreads. Depicted only in the illustrations and never discussed, race is merely one aspect of the characters’ quirky, eccentric personalities. Readers will cheer the outcome and root for this odd couple’s continued contentment.

Engaging, charming, and tender. (Picture book. 3-8)

Pub Date: June 8, 2021

ISBN: 978-1-908714-85-5

Page Count: 32

Publisher: Cicada Books

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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