Alexander’s book is a pleasure to gaze upon. The artwork is sumptuous, like great dollops of ice cream, the colors bold in some instances, commingling with an eye for harmony in others, the line work fine and wiry. The story follows Florence, a young pig with big dreams of singing stardom but hog-tied by her shrinking-violet nature. She can barely manage a squeak when her mildly bullying older sisters, also singers, challenge her to show her stuff. When a TV singing contest comes to town, the older sisters try to grab the limelight but succumb to stage fright, while Florence belts out a winning tune from the audience. Despite the lovely French curves of music issuing from Florence’s snout, her sudden instinct to public warbling lacks any rationale. The story doesn’t turn on anything; without some imaginative impulse, the sisters’ balking and Florence’s newfound voice are airy contrivances. Still, the illustrations are of such quality as to nearly float the project by fashioning a narrative of their own. Florence caught in the spotlight is alone worth 1,000 carefully crafted words. (Picture book. 4-8)
Pub Date: March 1, 2010
ISBN: 978-0-8075-7455-3
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 21, 2011
Kirkus Reviews Issue: Feb. 15, 2010
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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