A trio of sisters are central characters in a number of stories: There's Ruth, a pregnant mother who gets a job in a Nevada ghost town to earn enough money to take her children back to her home in Colorado (“Alto Cumulus Standing Lenticulars”); Mano, who realizes a construction company is regularly poisoning the fish in the local river and that her city department plans to cover up the spills (“Early Warning Systems”); and Sister Agnes Mary, who is compelled into action when a new priest agrees to let drilling take place near their parochial school’s playground (“Sister Agnes Mary in the Spring of 2012”). In "Ledgers," an ornithologist-turned-caretaker forced to sell the family ranch to pay for her father’s medical bills grapples with the new owner’s callousness toward the endangered Gunnison sage grouse that returns to the land yearly to nest. Such loyalty to an area is called “site fidelity,” a concept that gives this collection its name and throughline: What does it mean for our survival and well-being to be deeply interwoven with the fate of a place and to be aware of its unsustainable trajectory? And what actions are we willing to take when other people don't feel the same sense of urgency and connection? Set against a larger backdrop of energy debates, environmental disasters, and climate change, Boyles’ stories are skillfully layered explorations of the politics and power plays within families, workplaces, and communities. Yet this collection’s true mastery is in the rich and varied voices of the characters and in the small moments in which they reach for hope despite all that has crumbled around them.
Deliberate and compelling.Pub Date: June 15, 2021
ISBN: 978-0-393-53182-4
Page Count: 208
Publisher: Norton
Review Posted Online: March 31, 2021
Kirkus Reviews Issue: April 15, 2021
Categories: LITERARY FICTION | SHORT STORIES | GENERAL FICTION
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Miller makes Homer pertinent to women facing 21st-century monsters.
17
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 17, 2021
Kirkus Reviews Issue: April 1, 2021
Categories: LITERARY FICTION | GENERAL FICTION
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