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LIGHTBRINGER

From the Empirium Trilogy series , Vol. 3

Pacing issues aside, a conclusion sure to satisfy fans of the trilogy.

Following Kingsbane (2019), mother and daughter queens separated across time complete each other’s stories in this trilogy closer.

Held captive by the Emperor Corien after Simon’s betrayal, Eliana defies efforts to fully restore Simon’s marque power, which would enable Corien to reunite with Rielle. Eliana’s refusal is met with psychological torture in the form of dreams that feel real and through the suffering of her loved ones. Her torment is finally interrupted by a mysterious voice in her head, which results in Eliana’s greater knowledge of the Deep and the world’s mythology. Meanwhile, 1,000 years in the past, Rielle’s storyline follows her as she, fleeing heartbreak and rejection from Audric (now regretful of his reaction, deposed, and seeking asylum and allies), is dragged deeper into darkness by Corien. Rielle’s storyline leans hard on the love-triangle element. Many of these plotlines (using primary and secondary characters’ viewpoints drawn from the large, unwieldy cast) spin in repetitive ruts so that all of the pieces land in place for a dynamic, flashy final act that unifies the storylines and themes. Race and ethnicity carry no significance in this diverse fantasy world with many secondary characters of color; Corien, Simon, and Rielle are White; Audric has brown skin. Same-sex relationships also have casual, positive representation.

Pacing issues aside, a conclusion sure to satisfy fans of the trilogy. (map, list of elements) (Fantasy. 15-adult)

Pub Date: Oct. 13, 2020

ISBN: 978-1-4926-5668-5

Page Count: 592

Publisher: Sourcebooks Fire

Review Posted Online: July 26, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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