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EVERYONE'S CHILDREN

Name: EVERYONE'S CHILDREN
Author: Claire McCarthy
ISBN: 0-684-81876-0

A PEDIATRICIAN'S STORY OF AN INNER-CITY PRACTICE

by Claire McCarthy ‧ RELEASE DATE: March 1, 1998

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The author of Learning How the Heart Beats (1995) fulfills the promise of her first book in this wise and heartfelt portrait of an inner-city health clinic. McCarthy, who first wrote of becoming a doctor at Harvard Medical School, is now a full-fledged pediatrician at the Martha Eliot Health Center, serving a mostly Latino housing development in Boston's Jamaica Plain section. It's a world far removed from the one of her privileged upbringing, and while she lives with the feeling of fitting into neither one, she is clearly captured by the richness of human experience her work has made her witness to. Her work world is one where people need each other, and she responds to her patients not just as a doctor but as a human being: When Luz, the mother of one of her sickle-cell anemia patients, is raped and beaten, McCarthy takes the woman and her small son into her home for the night. The caring flows both ways, for when McCarthy becomes pregnant with her second child, the mothers at the clinic are generous with advice. Most problems she encounters have no neat solutions, and she becomes expert at compromising, improvising, and knowing when to back off. As in her earlier book, McCarthy does not sentimentalize those she writes about. She sees her patients whole, with no glossing over of the crime, danger, abuse, neglect, and poverty that mark their lives. She cannot make life fair, cannot cure every child's ills, cannot turn an addicted mother into a warm and loving one, yet she shows us that there is hope, that one person can make a difference. The message implicit in her title is that the children of the poor are everyone's children, and we must all care. Deeply moving and wonderfully human.

Pub Date: March 1, 1998

ISBN: 0-684-81876-0

Page Count: 224

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

Categories:

GENERAL NONFICTION

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

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Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:

GENERAL NONFICTION

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A LITTLE HISTORY OF POETRY

by John Carey ‧ RELEASE DATE: April 21, 2020

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

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A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.