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NEVER, EVER, EVER ASK A PIRATE TO A PARTY

Don’t pass on the chance to read this one to kids—say, at an upcoming party.

Looking to plan a shindig?

The pale-skinned, bespectacled, auburn-haired young narrator has some advice on who not to invite. The child, who’s hosting a party, demonstrates the riotous disasters that ensue when some unusual invitees show up. The titular pirate, brown-skinned and green-haired, brings along her parrot (who steals the gifts). Next, a dragon arrives. “Never, ever, ever ask a dragon to a party,” advises the narrator. “She’ll frighten the pirate and get caught in the streamers.” Plus, the dragon isn’t house trained. Soon, a unicorn arrives, turns up his nose at the steaming mess left by the dragon, and demands a bath. Then a group of aliens fly in and wolf down all the food. The narrator is forced to send the out-of-control guests packing. But without guests, there’s no one to play or share cake with, there aren’t presents—and it’s VERY quiet. Our guide offers some new advice: Open the door and re-invite the guests, who promise to behave this time. At last, a perfect party—until a very large, perhaps uninvited, attendee arrives. Now what? This rollicking U.K. import will have kids giggling and probably hoping for a few of these guests to show up at their own parties. There’s a hint of Laura Numeroff’s If You Give a Mouse a Cookie (1985), illustrated by Felicia Bond, here as well. The colorful illustrations are dynamic, celebratory fun.

Don’t pass on the chance to read this one to kids—say, at an upcoming party. (Picture book. 4-7)

Pub Date: July 2, 2024

ISBN: 9798887770758

Page Count: 32

Publisher: Nosy Crow

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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