Not so much a failure as a missed opportunity—a potentially nuanced story about one’s capacity for forgiveness that gives...
A pair of solitary souls confront their old ghosts in Morrall’s follow-up to the Man Booker–nominated Astonishing Splashes of Colour (2004).
Peter Straker is extraordinarily wracked by guilt: He holds himself responsible for the deaths of 78 people in a train wreck nearly 25 years ago, and since the accident he’s been living quietly—indeed, practically mute—in a lighthouse on the Devon coast. The son of a wealthy family, he has the means to do nothing but give himself hell for his actions, rarely letting the accident escape his mind. Unwittingly entering his life is mousy, cranky Imogen Doody, who has a host of problems of her own: She bears the weight of her sister’s suicide; her husband has abandoned her; and though she’s just inherited a house near the lighthouse, she has no idea how to manage it after years of neglect have rotted the place. What ensues during the first half of the novel isn’t a romance but a smartly rendered portrait of how these two emotionally stunted, selfish souls learn simply to talk to one another; Morrall has an excellent ear for dialogue, which clarifies Imogen’s unthinkingly critical attitude and Peter’s outsize capacity for self-flagellation. In the year that follows, Imogen’s home becomes more liveable, her relationship with Peter gains some warmth and Morrall offers more details on the extent to which Peter is responsible for the train wreck, while the relatives of those killed plot to confront him. Morrall is a fine stylist, and while her story is much more propulsive than most hefty meditations on guilt and shame, it also suffers from a distracting tidiness that saps its energy in the later chapters. The cracks in Imogen’s home and Peter’s lighthouse make neat metaphors for their broken pasts, and the characters who arrive by the end exist mainly to offer platitudes about conquering demons.
Not so much a failure as a missed opportunity—a potentially nuanced story about one’s capacity for forgiveness that gives way to movie-of-the-week sentimentality.Pub Date: June 16, 2006
ISBN: 0-06-084336-5
Page Count: 416
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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