A child transforms her bedroom into the big top.
The book opens with a couple of introductory views of an ordinary room featuring a bed, “a leotard / socks / and a girl.” Following this, a whirl of sheets opens the show. Changing in tandem, the narrative’s initial, hair-fine typeface turns to big, florid circus-poster type as the performance begins. Illustrations drawn in simple outlines of orange crayon burgeon into colorful scenes of awe-inspiring leaps, swoops and circus acrobatics on a trapeze or atop an elephant, a lion and other stuffed animals that have become real. Having thoroughly demonstrated that she’s “daring and /dazzling / and Oh! so / dramatic,” the young performer finally snuggles down for the night, secure in the knowledge that she is “star / of the show.” Thinly applied colors and broad areas of white space give Pernice’s pictures and the imaginary playscape they depict a diaphanous look that may seem washed-out to some viewers—and, to others, appropriately dreamlike.
A flight of fancy, verbally and visually spare, that any would-be “star” will gladly take. (Picture book. 6-8)