by Clarice Lispector ; translated by Stefan Tobler ‧ RELEASE DATE: April 6, 2021
Lyrical, ponderous, and dense, Lispector’s latest also feels overblown.
A love story—of sorts—by one of Brazil’s finest writers.
This slim but intense volume is known as one of Lispector’s most accessible, or straightforward. If you’re new to her oeuvre, that might strike you as something of a joke: There is very little—if anything—in this novel that is actually “straightforward.” The plot, such as it is, involves a man and a woman—Lóri and the aptly named Ulisses—who love each other but can’t be together. Anyway, not yet. First, Lóri has a journey of sorts to complete: “The way I want you to be mine,” Ulisses tells her, “will only happen when you also want it the same way. And that will take time because you haven’t discovered whatever you need to discover.” So what does Lóri need to discover? The existentialists might have described it as a way to live authentically. Lispector writes: “The thing the human being aspires to most is to become a human being.” The novel, then, traces the story of Lóri’s becoming, which—with only a few exceptions—is an entirely inner journey. Those exceptions—an early morning swim, a few nights out for drinks with Ulisses, a cocktail party—don’t give the reader all that much to go on. By far the greatest portion of the book is taken up with long, lyrical, philosophical passages, intermittently punctuated, that describe the subtle shifts in Lóri’s thinking. These passages can feel overblown: “Had moments gone by or three thousand years? Moments according to the clock by which time is divided, three thousand years according to what Lóri felt when with heavy anguish, all dressed and made up, she reached the window.” No doubt the novel is a crucial addition to Lispector’s English-language body of work; still, it’ll likely leave more than one reader yearning for something more earth-bound.
Lyrical, ponderous, and dense, Lispector’s latest also feels overblown.Pub Date: April 6, 2021
ISBN: 978-0-8112-3061-2
Page Count: 176
Publisher: New Directions
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
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by Clarice Lispector ; translated by Benjamin Moser
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by Clarice Lispector ; translated by Johnny Lorenz ; edited by Benjamin Moser
BOOK REVIEW
by Clarice Lispector ; translated by Benjamin Moser & Magdalena Edwards
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Dan Brown ‧ RELEASE DATE: Sept. 9, 2025
A standout in the series.
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63
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New York Times Bestseller
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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