by Clarice Lispector ; translated by Benjamin Moser & Magdalena Edwards ‧ RELEASE DATE: March 27, 2018
While she compellingly evokes the journey out of childhood, as well as loneliness, self-determination, and the magnetic pull...
Brazilian literary titan Lispector (Complete Stories, 2015, etc.) expands on themes familiar to fans of her dense, rich, inimitable style in this, her second novel, originally published in 1946 and now translated into English for the first time.
Told almost entirely in a third-person stream-of-consciousness style, the story follows Virginia, the youngest of three siblings growing up on Quiet Farm in Upper Marsh in a sparsely furnished family mansion with velvet-lined floors. She is slavishly attached to her brooding brother, Daniel. "She didn't even know what she was thinking, all she had was ardor, nothing more, not even a point. And he—all he had was fury." Sometimes she molds little sculptures from river clay, "a task that would never end, that was the most beautiful and careful thing she had ever known." Secretive, philosophical, intense, the siblings create the Society of Shadows, the two of them its only members: "They had foreseen the charmed and dangerous beginning of the unknown, the momentum that came from fear." As elsewhere in her work, Lispector is fascinated by moments, often fleeting and barely articulated, of dawning self-awareness. "Yes, yes, little by little, softly, from her ignorance the idea was being born that she possessed a life." Virginia and Daniel eventually leave Upper Marsh for the city. Virginia sees the sea, rents her own apartment, takes a lover. The novel follows her from moment to closely noted moment, as for example, taking a walk before a dreaded dinner party: "What she was feeling was without depth....Quick thick circles were moving away from her heart—the sound of a bell unheard but heavily felt in the body in waves—the white circles were blocking her throat in a big hard bubble of air—there was not even so much as a smile, her heart was withering, withering, moving off through the distance hesitating intangible, already lost in an empty and clean body whose contours were widening, moving away, moving away and all that existed was the air, thus all that existed was the air, the air without knowing that it existed and in silence, in silence high as the air." Passages like this comprise the bulk of the book. Of Virginia later, dozing on the train: "her lucidity was the raw brightness of the moonlight itself; but she didn't know what she was thinking; she was thinking...like a bird that just flies." Readers already acquainted with The Hour of the Star will note a number of parallels. In some ways, this is a bigger, larger-hearted version, more intimate and more generous, though similarly dense.
While she compellingly evokes the journey out of childhood, as well as loneliness, self-determination, and the magnetic pull of family, Lispector's signature brilliance lies in the minutely observed gradations of her characters' feelings and of their elusive, half-formed thoughts.Pub Date: March 27, 2018
ISBN: 978-0-8112-2313-3
Page Count: 304
Publisher: New Directions
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Clarice Lispector ; translated by Benjamin Moser
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by Clarice Lispector ; translated by Stefan Tobler
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by Clarice Lispector ; translated by Johnny Lorenz ; edited by Benjamin Moser
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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