by Claude McKay edited by Jean-Christophe Cloutier & Brent Hayes Edwards ‧ RELEASE DATE: Feb. 7, 2017
Full of now-arcane references to historical moments and political movements past but still engaging and well-paced.
Newly discovered novel by the great chronicler of the Harlem Renaissance, a sweeping satire of clashing ideologies and ambitions north of 110th Street.
“The time was ungodly tough for God’s swarthy step-children”: written in 1941, McKay’s novel describes a time a few years earlier, when Harlem was alive with talk of African-American civil rights as Franklin Roosevelt entered his third term as president. The proponents of “Aframerican”—McKay’s coinage—self-determination have a new cause in an Ethiopia beset by an invasion on the part of fascist Italy. As the novel opens, a certain Pablo Peixota, said to be Brazilian, is at the head of a boisterous crowd gathered to honor the arrival of an envoy from Haile Selassie’s besieged throne; “the Emperor of Ethiopia had condescended,” McKay writes, “to send a representative as a token of his goodwill and to give encouragement and inspiration to the efforts of the Aframericans.” Most effortful of all is a strange fellow named Professor Koazhy, who arrives “bedecked in a uniform so rare, so gorgeous, it made the people prance and shout for joy.” He aims, it seems, to outdo the emperor himself in splendor, but the good professor has other intentions. So, too, do the local Communists, who, seeing a political movement building, can’t help but want to co-opt it: “the Hands to Ethiopia was not interesting as one means of defending Ethiopia, but only as an organization that might be captured by the Marxists to help expand the gargantuanesque inflated maw of the Popular Front.” Against this backdrop of rising contention are a string of characters who, with aims ranging from the noble to the self-serving, drop in and out of the narrative. McKay writes with broad, pointed humor without resorting to lampooning, although the symbolism gets a little heavier handed as it arrives at an unexpectedly violent close.
Full of now-arcane references to historical moments and political movements past but still engaging and well-paced.Pub Date: Feb. 7, 2017
ISBN: 978-0-14-310731-6
Page Count: 352
Publisher: Penguin
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Lisa See ‧ RELEASE DATE: March 19, 2019
Although this novel’s reach exceeds its grasp, it is a necessary book.
On an island off the South Korean coast, an ancient guild of women divers reckons with the depredations of modernity from 1938 to 2008 in See's (The Tea Girl of Hummingbird Lane, 2017, etc.) latest novel.
The women divers of Jeju Island, known as haenyeo, don't display the usual female subservience. Empowered by the income they derive from their diving, harvesting seafood to consume and sell, haenyeo are heads of households; their husbands mind the children and do menial chores. Young-sook, See’s first-person narrator and protagonist, tells of her family and her ill-fated friendship with Mi-ja, who, rescued from neglectful relatives by Sun-sil, Young-sook’s mother, is initiated into the diving collective headed by Sun-sil. The girls grow up together, dive together, and go on lucrative assignments in the freezing waters near Vladivostok, Russia. They are also married off together, Mi-ja to Sang-mun, who, as World War II progresses, is enriched by collaborating with the Japanese, and Young-sook to Jun-bu, a neighbor and childhood playmate. The novel’s first half is anecdotal and a little tedious as the minutiae of the haenyeo craft are explored: free diving, pre-wetsuit diving garb, and sumbisori, the art of held breath. As two tragedies prove, the most prized catches are the riskiest: octopus and abalone. See did extensive research with primary sources to detail not only the haenyeo traditions, but the mass murders on Jeju beginning in 1948, which were covered up for decades by the South Korean government. As Jeju villages are decimated, Young-sook loses half her family and also, due to a terrible betrayal, her friendship with Mi-ja. The tangled web of politics and tyranny, not to mention the inaction of U.N. and American occupiers leading up to the massacres, deserves its own work, perhaps nonfiction. In the context of such horrors, the novel’s main source of suspense, whether Young-sook can forgive Mi-ja, seems beside the point.
Although this novel’s reach exceeds its grasp, it is a necessary book.Pub Date: March 19, 2019
ISBN: 978-1-5011-5485-0
Page Count: 384
Publisher: Scribner
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by Katy Simpson Smith ‧ RELEASE DATE: March 24, 2020
A compelling, beautifully rendered tale of passion and pain.
Rome, past and present, serves as the setting for a sparkling historical novel.
Smith (Free Men, 2016, etc.) bounds through 2,000 years of history, following four indelible characters as they grapple with questions of faith, freedom, and transgressive love. Tom, a biologist working in contemporary Rome, is studying ostracods, tiny crustaceans that thrive in polluted, agitated environments. “Are they adapting in the face of disadvantage or are they opportunists of collapse?” Tom asks, aware that his question about ostracods could just as well apply to his own emotional agitation. The married father of a 9-year-old daughter, he has met a young woman who enchants him, impelling him to confront his desperate desire for “an unleashing” and for a love deeper than what he feels for his wife. A child playing in the water where he is investigating suddenly shrieks in pain, pierced by a piece of bent metal, “scaly with corrosion, its silver marred with patches of orange rust.” It is a fishhook—maybe a castoff with no value or perhaps an ancient relic: uncanny, miraculous. The fishhook reappears as Smith leaps back to the Renaissance, where it falls into the hands of Giulia, a mixed-race princess newly married to a Medici, pregnant with another man’s child. For Giulia, her fortunes embroiled in political and religious rivalries, the fishhook evokes a holier time, before corruption and hypocrisy sullied the church. In ninth-century Rome, Felix, a 60-year-old monk, is tormented by his youthful, forbidden love for Tomaso; assigned to watch over the decaying bodies in the putridarium, Felix comes into possession of the fishhook, guessing—wishing—that it belonged to the martyred St. Prisca, who perhaps “got it direct from Jesus.” In the year 165, Prisca did indeed find the hook, secreting it as a precious token. Drawn to worshipping Christ rather than pagan gods, 12-year-old Prisca stands defiant against her violent tormenters. Perhaps Smith’s most appealing character is Satan, whose weary, ironic comments punctuate a narrative that shines with lyrical, translucent prose.
A compelling, beautifully rendered tale of passion and pain.Pub Date: March 24, 2020
ISBN: 978-0-06-287364-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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