by Claude Ponti ; illustrated by Claude Ponti ; translated by Alyson Waters ‧ RELEASE DATE: March 7, 2017
Like Poochie-Blue, visitors to the valley will be in no hurry to leave.
A mix of comical vignettes and broad vistas illustrates an account of the lives and misadventures of a clan of tiny Twims.
It must have been a challenge to translate: the oversized album, originally published in French in 1998, is narrated by Poochie-Blue—who introduces Sowhatty, Nothin’-Doin’, and many like-named members of a teeming extended family as the book opens. He then takes readers on a tour of his hollow cliffside House Tree, the Forest of Lost Children, the Theater of Hissy Fits (where grievances can be acted out), and the cemetery gardens especially tailored for lovers of music or mountains, for haters, readers, or Twims just “waiting for the Goochnies to return.” In between, he tells of the mushroomlike Goochnies’ mysterious disappearance, of children who fell from the sky (actually from a passing windblown apartment house), of a Sad Giant’s visit, and of weather and seasons in the idyllic seaside valley. Along with a labeled area map and a cutaway of the House Tree, Ponti alternates panels of Twims, who look like anthropomorphic lemmings (uniform in color but a little varied in features and dress), in action with immersive, full-page or larger land- and seascapes that seem to go on forever while offering multitudinous crags, glades and foreground features to investigate.
Like Poochie-Blue, visitors to the valley will be in no hurry to leave. (Picture book. 5-9)Pub Date: March 7, 2017
ISBN: 978-0-914671-62-6
Page Count: 42
Publisher: Elsewhere Editions
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Claude Ponti ; illustrated by Claude Ponti ; translated by Alyson Waters
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by Claude Ponti ; illustrated by Claude Ponti
by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Craig Smith ; illustrated by Katz Cowley
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by Adam Osterweil and illustrated by Craig Smith
by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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