by Claudia Galindo & illustrated by Jonathan Coombs ‧ RELEASE DATE: Oct. 31, 2008
Another bedtime battle is won in this bilingual text featuring the Latin-American bogeyman and his mother, both rendered here as decidedly cute and unfrightening elfin creatures with blue skin and spiky blue hair. Cucuy, the little monster, refuses to go to bed, behaving monstrously with screams and kicks, ugly faces, wiggles and jiggles and every sort of tantrum until mother declares “enough fuss.” The now red-faced Cucuy finally agrees to count sheep and “get just a tiny bit of sleep.” Coombs’s deep, richly colored paintings bring out a typical child’s surroundings (filled with a spirited assortment of monster dolls) and reflect his extreme remonstrations. The loosely rhyming English text is all-too-often forced (“Even in all that craze Mamá is able to put him in his pj’s”); it appears above a serviceable Spanish translation. When bedtime becomes a hideous affair, the outrageously grotesque behavior of one may spark a bit of realistic appreciation for many. (Picture book. 3-5)
Pub Date: Oct. 31, 2008
ISBN: 978-1-55885-491-8
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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BOOK REVIEW
by Claudia Galindo & illustrated by Jonathan Coombs & translated by John Pluecker
by Chloe Perkins ; illustrated by Archana Sreenivasan ‧ RELEASE DATE: March 21, 2017
Adults wishing to expand the worldviews of their young charges beyond Eurocentric interpretations will find plenty of visual...
A retelling of the classic fairy tale with India as its setting.
This latest addition to the Once Upon A World series tells the well-known story of the maiden with beautiful long tresses locked away in a tower by an evil witch and the prince who falls in love with her. As with Perkins’ Cinderella (illustrated by Sandra Equihua, 2016) and Snow White (illustrated by Misa Saburi, 2016), the text has been simplified for a younger audience, and the distinguishing twist here is its setting in India. The mixed-media illustrations of plants, animals, village life, and, of course, Rapunzel, the witch, and the prince come alive in warm, saturated colors. Other than the visuals, there is little to differentiate the story from traditional tellings. As always, it is still the prince who will eventually lead Rapunzel to her salvation by taking her to his kingdom far away from the witch, but that is the nature of fairy tales. The only quibble with this book and indeed with this series is the board-book format. Given the fact that the audience most likely to enjoy it is beyond the board-book age, a full-size book would have done more justice to the vibrant artwork.
Adults wishing to expand the worldviews of their young charges beyond Eurocentric interpretations will find plenty of visual delights in this one, though they’ll wish it were bigger. (Board book. 3-5)Pub Date: March 21, 2017
ISBN: 978-1-4814-9072-6
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: July 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Sandra Equihua
by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: April 1, 2010
Today Carmelita visits her Abuela Rosa, but to get there she must walk. Down Ninth Avenue she strolls with her mother and dog. Colorful shops and congenial neighbors greet them along the way, and at each stop Carmelita says hello—in Spanish, Arabic, Hebrew and more. With a friendly “Jambo” for Joseph, a “Bonjour” at the bakery and an affectionate “Hey” for Max and Angel, the pig-tailed girl happily exercises her burgeoning multilingual skills. Her world is a vibrant community, where neighborliness, camaraderie and culture are celebrated. Isadora’s collaged artwork, reminiscent of Ezra Jack Keats, contains lovely edges and imperfections, which abet the feeling of an urban environment. Skillfully, she draws with her scissors, the cut-paper elements acting as her line work. Everything has a texture and surface, and with almost no solid colors, the city street is realized as a real, organic place. Readers will fall for the sociable Carmelita as they proudly learn a range of salutations, and the artist’s rich environment, packed with hidden details and charming animals, will delight readers with each return visit. Simply enchanting. (Picture book. 3-5)
Pub Date: April 1, 2010
ISBN: 978-0-399-25230-3
Page Count: 32
Publisher: Putnam
Review Posted Online: Dec. 23, 2010
Kirkus Reviews Issue: March 1, 2010
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by Rachel Isadora ; illustrated by Rachel Isadora
BOOK REVIEW
by Rachel Isadora ; illustrated by Rachel Isadora
BOOK REVIEW
by Rachel Isadora ; illustrated by Rachel Isadora
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