A fresh perspective on a cyclical topic.
Seasonal changes—and outfit changes, too.
As children fling open their doors to run outside, the titular question comes to mind: “Do I have to wear a coat?” Laid out in a similar style to those in Isadora’s previous musing on the senses, I Hear a Pickle (and Smell, See, Touch, and Taste It, Too!) (2016), various vignettes of diverse tots explore spring, summer, fall, and winter. Each season is opened with a picture of the same pigtailed white youngster and a dog looking at a tree. As the seasons change, readers see differences to the leaves and changes to the child’s clothing. Spring brings flowers, baseball games, sidewalk chalk, and raincoats. Summer brings ice cream, fireflies, sand castles, and no coats at all! In the fall, sweaters are warm and cozy accompaniments for hayrides, jumping into leaf piles, and apple picking. Winter, the coat-iest season, brings snow angels, frosty air, steamy hot chocolate, and of course, bundles and bundles of coats! Isadora explores the seasons not only through outerwear, but also activities that are intimate and familiar to those who experience these seasons. Vignettes include racially diverse children; two kids in sports wheelchairs play tennis, and an amputee on crutches plays soccer. Children will feel each season deeply, with or without their coats!
A fresh perspective on a cyclical topic. (Picture book. 3-6)Pub Date: March 3, 2020
ISBN: 978-0-525-51660-6
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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