Familiar school concerns, nicely resolved, make this another excellent selection for early chapter-book readers. (Fiction....

FRACTIONS = TROUBLE!

Third-grader Wilson Williams knows he'll never learn fractions: “Multiplication was hard enough,” he tells his pet hamster, Pip. 

Worse, his parents have arranged for a math tutor. Just the idea of a tutor is embarrassing, but sympathetic Mrs. Tucker uses his love for hamsters to help him understand the math, and soon he’s quite clear about the difference between the Nice Numerator and the Dumb Denominator. At the same time, Pip becomes the basis for a successful science-fair project. Not only does Wilson have some academic success, he makes his little brother happy. Though only in kindergarten, Kipper has a science-fair project too. In the process of Kipper’s investigations, one of his favorite stuffed animals disappears. Big brother Wilson comes to the rescue. Most satisfying of all, he discovers that others—even his very best friend—are tutored, too. The short chapters have believable dialogue and plenty of reader appeal. In one, Wilson tries to teach his hamster to shake hands; in another, his friend Josh experiments with blowing up a pickle. Karas' scratchy grayscale drawings, one to a chapter, support the story. This sequel to 7 x 9 = Trouble (2002) follows logically but also stands on its own.

Familiar school concerns, nicely resolved, make this another excellent selection for early chapter-book readers. (Fiction. 7-10) 

Pub Date: June 21, 2011

ISBN: 978-0-374-36716-9

Page Count: 128

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 4, 2011

Kirkus Reviews Issue: May 15, 2011

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A bubble-gum crowd pleaser with wide audience appeal.

OLGA AND THE SMELLY THING FROM NOWHERE

From the Olga series , Vol. 1

A young girl who prefers science to people discovers an adorable and smelly little creature.

With an inquisitive mind and a dark teardrop-shaped swoop of hair, Olga may not have many friends, but she loves animals and thinks even their "farts are cute." She studies them and carefully transcribes her observations; she hopes someday to hang out with Jane Goodall. When she hears a scary rumble in her trash can, Olga discovers Meh, a pudgy, smelly creature that she describes as a "cross between an inflated hamster and a potato drawn by a three-year-old." Like any good scientist-in-training, she observes Meh, trying to discern his habits and his diet. When Meh goes missing, Olga must recruit actual people to help her find him—including two pop-star–obsessed girls she calls "The Lalas," a friendly boy with a tall scribble of hair and an incontinent dog, a punk-rock librarian, and a goofy but helpful shopkeeper. Gravel's tale is a visually interesting mix of illustration and story, punctuated by numerous lists, comic panels, and cartoon diagrams and led by a smart female protagonist. Covering everything from zoology to poop jokes, Gravel has painted her tale with a broad brush that should render this an easy sell to most young readers. The human characters all have paper-white skin, and there is no other cueing of racial difference.

A bubble-gum crowd pleaser with wide audience appeal. (Graphic/fiction hybrid. 7-10)

Pub Date: March 14, 2017

ISBN: 978-0-06-235126-5

Page Count: 176

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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The rare immigrant chronicle that is as long on hope as it is on heartbreak.

INFINITE COUNTRY

A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.

"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.

The rare immigrant chronicle that is as long on hope as it is on heartbreak.

Pub Date: March 2, 2021

ISBN: 978-1-982159-46-7

Page Count: 208

Publisher: Avid Reader Press

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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A floral fantasia for casual browsers as well as budding botanists.

THE BIG BOOK OF BLOOMS

Spirited illustrations brighten a large-format introduction to flowers and their pollinators.

Showing a less Eurocentric outlook than in his Big Book of Birds (2019), Zommer employs agile brushwork and a fondness for graceful lines and bright colors to bring to life bustling bouquets from a range of habitats, from rainforest to desert. Often switching from horizontal to vertical orientations, the topical spreads progress from overviews of major floral families and broad looks at plant anatomy and reproduction to close-ups of select flora—roses and tulips to Venus flytraps and stinking flowers. The book then closes with a shoutout to the conservators and other workers at Kew Gardens (this is a British import) and quick suggestions for young balcony or windowsill gardeners. In most of the low-angled scenes, fancifully drawn avian or insect pollinators with human eyes hover around all the large, luscious blooms, as do one- or two-sentence comments that generally add cogent observations or insights: “All parts of the deadly nightshade plant contain poison. It has been used to poison famous emperors, kings and warriors throughout history.” (Confusingly for the audience, the accurate but limited assertion that bees “often visit blue or purple flowers” appears to be contradicted by an adjacent view of several zeroing in on a yellow toadflax.) Human figures, or, in one scene, hands, are depicted in a variety of sizes, shapes, and skin colors.

A floral fantasia for casual browsers as well as budding botanists. (glossary, index) (Informational picture book. 7-9)

Pub Date: May 5, 2020

ISBN: 978-0-500-65199-5

Page Count: 64

Publisher: Thames & Hudson

Review Posted Online: March 25, 2020

Kirkus Reviews Issue: April 15, 2020

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