An amusing and lighthearted introduction to metafiction.
Three bears host an unexpected visitor with surprising results.
“Mama was serving porridge,” recounts the youngest of the three bears about the arrival of a stranger at the door. The small but stout figure, covered head to knees in a bright red hoodie, is “Little Red from the book next door.” Little Red explains that there’s a wolf, “and he wants to eat me.” Though Papa and Mama are dubious about letting her stay (“Not sure that’s how the story goes,” they muse), Little Red consumes a bowl of porridge, recounts her tale, and spends the night. But when the wolf shows up, all four flee to a different neighboring book, where three pigs look alarmed. Poor Wolf. It’s not a choice role, being the Big Bad Wolf, and tears ensue. The empathetic narrator produces a few bowls of just-right porridge (recipe included) to soothe Wolf’s feelings. Rueda’s bears are large, light-brown furred, and rounded with bemused expressions. Little Red has white skin, and the wolf has light-brown fur and a friendly, canine look. Rueda’s punchy, economical narrative and the clear typeface put this within reach of new readers. The gentle twist and metafictive conceit will serve as a conversation starter and may inspire other sendups and blendings of nursery plotlines and characters. (This book was reviewed digitally.)
An amusing and lighthearted introduction to metafiction. (Picture book. 3-7)Pub Date: Nov. 2, 2021
ISBN: 978-1-4521-7031-2
Page Count: 52
Publisher: Chronicle Books
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
A comical, fresh look at crayons and color
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color . (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
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SEEN & HEARD
Fun enough to read once but without enough substance to last.
Familiar crayon characters argue over which color is the essential Christmas color.
Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)
Fun enough to read once but without enough substance to last. (Picture book. 3-6)Pub Date: Oct. 19, 2021
ISBN: 978-0-593-35338-7
Page Count: 32
Publisher: Philomel
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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