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WHY JOHNNY DOESN'T FLAP

NT IS OK!

It looks bland at first, but it’s a clever perspective changer for NT children as well as a rare chance for young readers...

A young narrator explains that his neurotypical friend is OK, even though he sometimes plays games out of order and doesn’t flap his hands to express emotions.

It’s a neat bit of role reversal. It’s really OK that Johnny arrives for playdates a few minutes late or early (“hopeless when it comes to punctuality”), that his gaze is direct, that he really doesn’t seem interested in knowing everything about hydraulic forklifts, wants to play with other kids (“Maybe he’s a little too obsessed with social interaction”), and never has a meltdown when there’s a fire drill at school. “Mom says that everyone’s brain is different, and different isn’t always wrong.” A closing note for parents offers further bids for acceptance: “as many as 67 in 68 children may be neurotypical. So if your child does not currently have an NT kid in their life, they almost certainly will.” Merry’s stripped-down, neatly drawn generic views of dewy-eyed figures with fixed, tight-lipped smiles neither give the characters any individuality nor do the premise’s ingenuity much service, though they are doubtless calculated to make it easy for the book’s autistic readers to decode.

It looks bland at first, but it’s a clever perspective changer for NT children as well as a rare chance for young readers with autism to see themselves as a point-of-view character. (Picture book. 6-8)

Pub Date: Oct. 21, 2015

ISBN: 978-1-84905-721-9

Page Count: 32

Publisher: Jessica Kingsley Publishers

Review Posted Online: Sept. 15, 2015

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MUD PUDDLE

Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...

The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.

Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.

Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)

Pub Date: Sept. 1, 2012

ISBN: 978-1-55451-427-4

Page Count: 32

Publisher: Annick Press

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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DRAGON POST

Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...

A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.

Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.

Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)

Pub Date: Dec. 1, 2018

ISBN: 978-1-61067-818-6

Page Count: 32

Publisher: Kane Miller

Review Posted Online: Aug. 26, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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