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THE MASK

A young, laudable voice tells an indelible story of acceptance and prejudice.

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2021

A boy ridiculed for his deformities may find the price of beauty is too high in this posthumous graphic novel.

Mil lives alone in the forest; his parents abandoned him. Because of his misshapen face and body, villagers deride and even threaten the boy. He scrapes by selling his wooden sculptures, though most people steer clear of him. While walking through the woods, Mil finds a mask. It speaks to him and promises to make him handsome—the object of men’s envy and women’s gazes. All Mil must do in return is “perform a service” for the Mask someday. Though hesitant, he agrees, and the Mask fuses with his face and changes his appearance. Now people find Mil attractive and revel in his company. He opens up his own shop and falls in love. Then the day finally arrives when the Mask makes its demand, asking Mil to do something unimaginable. He must decide if he can live the life he wants with the deformed body he once had. This story, written when Adams was 16, is a remarkable allegory with a superb open ending. The pale white Mask boasts a physical beauty society seemingly craves, while its “soulless eyes” reveal an emotional deficiency. It’s easy to sympathize with the sensitive Mil; people dub him “the freak” or “the monster.” But he’s likable throughout; he falls for a woman who’s more interested in his sculptures than his looks. At the same time, the Mask is suitably menacing; its more human qualities prove the most sinister, like its “sly smirk.” Complementing Adams’ prose, Eason renders an expressive, sometimes maniacal-looking Mask, which understandably troubles Mil. Muted colors give the illustrations a deeper, subtle allure, like Mil himself. A loving tribute at the book’s end comes courtesy of Adams’ family.

A young, laudable voice tells an indelible story of acceptance and prejudice.

Pub Date: Oct. 28, 2021

ISBN: 978-0-578-56993-2

Page Count: 48

Publisher: CJ Sparrow Publication

Review Posted Online: Sept. 16, 2021

Kirkus Reviews Issue: Nov. 1, 2021

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

NOWHERE BOY

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...

Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.

Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)

Pub Date: Aug. 7, 2018

ISBN: 978-1-250-30757-6

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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