by Clé Curbo ‧ RELEASE DATE: July 17, 2014
An unconventional set of tales set in delightfully eccentric realities.
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A debut collection of short sci-fi fiction that explores time and space with mischievous humor.
In the title story of Curbo’s playful, intriguing compilation, Larches, a viceroy who presides over the celestial garden of Mistress Bloom, discovers a “barbed and repulsive” artichokelike globe that he recognizes as an “avatar” of the faraway planet Earth. The bloom and the planet are deeply connected, so Larches carefully protects the plant from the gardener’s blade and the Mistress’ own shears, and he hatches a plan to seed other blooms in the garden. “The 19th Frustration” finds the hapless John Y. Lipman applying for a job as a “futurologist.” As he enters his workplace—a building in which time is not linear and whose appearance keeps bewilderingly changing—he’s told that he must first witness the destruction of the city of Paris and then prevent it. In “VanLines – The Driver,” the operator of an employee van pool attempts to avoid a disaster by taking passengers back in time, and they become scavengers in a prehistoric world. “Coyote Tower” relates the adventures of two spies whose loving relationship is their only constant in an unstable world. Harold Brayner, the protagonist of “Memory of Glass,” is physically trapped by age and disability as he watches his memories play out beyond the glass wall of his kitchen. Curbo’s unpredictable narratives of parallel worlds and time slippage are strengthened by his idiosyncratic and effervescent prose; he evocatively describes Mistress Bloom’s feet, for instance, as “clops…shod in skins of black-striped winter squash,” and one of the time-traveling commuters in “Vanlines” is said to “giggle a grin.” Sometimes the quirkiness feels forced and random, as when one of the spy’s supervisors in “Coyote Tower” tosses words “like watermelon seeds” toward his listener. Also, the short story format doesn’t allow for very much development of alternate universes. However, readers who are willing to think nonlinearly may enjoy this romp through unfamiliar worlds.
An unconventional set of tales set in delightfully eccentric realities.Pub Date: July 17, 2014
ISBN: 978-1-4975-8655-0
Page Count: 154
Publisher: CreateSpace
Review Posted Online: April 11, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
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by Clé Curbo ; illustrated by Tamara Kacevas
by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Louis L’Amour ‧ RELEASE DATE: May 11, 1999
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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