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GREY ZONE

Although her protagonist is mildly less pretentious than she was last time around (Grey Matters, 2010, etc.), Simon’s fans...

A sleuthing grad student adjusts to having a new cat companion and sidekick.

Dulcinea “Dulcie” Schwartz is always making things more complicated than they should be. At least, that’s what her boyfriend Chris insists. For example, her thesis on The Ravages of Umbria would be so much easier to write if she didn’t get hung up on the author and the fact that she never published anything afterward. Dulcie’s convinced the reason for her long silence is that she was murdered, but as a Harvard doctorate student of Gothic literature, she can’t help thinking that way. Take the case of missing student Carrie Mines. Dulcie’s advisee Philomena “Corkie” McCorkle insists that Carrie must be fine. But Dulcie’s convinced there’s much more to the story, especially now that a professor’s suicide is being considered a murder. If only there were someone Dulcie could confide in. The tutoring Chris has taken on to bring in extra cash has taken him from Dulcie’s side; her roommate Suze has a serious boyfriend; and her mother Lucy is too wrapped up in her hippie-commune things to be present on this life plane. And though Dulcie’s slowly bonding with her new kitten, Esmé doesn’t talk to her the way Dulcie’s former pet Joel Grey once did. While Joel’s ghost makes a few appearances, Dulcie’s biggest fear is that trusting those around her may mean losing Mr. Grey forever.

Although her protagonist is mildly less pretentious than she was last time around (Grey Matters, 2010, etc.), Simon’s fans shouldn’t expect many departures from a formula with which she clearly feels comfortable.

Pub Date: May 1, 2011

ISBN: 978-0-7278-6992-0

Page Count: 224

Publisher: Severn House

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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MURDER ON THE ORIENT EXPRESS

A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.

  **Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach.  Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express.  This is the only name now known for the book.  The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.

 

Pub Date: Feb. 28, 1934

ISBN: 978-0062073495

Page Count: -

Publisher: Dodd, Mead

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Feb. 1, 1934

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ARCHIE GOES HOME

The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.

In Archie Goodwin's 15th adventure since the death of his creator, Rex Stout, his gossipy Aunt Edna Wainwright lures him from 34th Street to his carefully unnamed hometown in Ohio to investigate the death of a well-hated bank president.

Tom Blankenship, the local police chief, thinks there’s no case since Logan Mulgrew shot himself. But Archie’s mother, Marjorie Goodwin, and Aunt Edna know lots of people with reason to have killed him. Mulgrew drove rival banker Charles Purcell out of business, forcing Purcell to get work as an auto mechanic, and foreclosed on dairy farmer Harold Mapes’ spread. Lester Newman is convinced that Mulgrew murdered his ailing wife, Lester’s sister, so that he could romance her nurse, Carrie Yeager. And Donna Newman, Lester’s granddaughter, might have had an eye on her great-uncle’s substantial estate. Nor is Archie limited to mulling over his relatives’ gossip, for Trumpet reporter Verna Kay Padgett, whose apartment window was shot out the night her column raised questions about the alleged suicide, is perfectly willing to publish a floridly actionable summary of the leading suspects that delights her editor, shocks Archie, and infuriates everyone else. The one person missing is Archie’s boss, Nero Wolfe (Death of an Art Collector, 2019, etc.), and fans will breathe a sigh of relief when he appears at Marjorie’s door, debriefs Archie, notices a telltale clue, prepares dinner for everyone, sleeps on his discovery, and arranges a meeting of all parties in Marjorie’s living room in which he names the killer.

The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.

Pub Date: May 19, 2020

ISBN: 978-1-5040-5988-6

Page Count: 248

Publisher: Mysterious Press

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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