Grade A for franchise allusions, B-minus for dialogue, C for backstage atmosphere, and F for plotting, since Goldsborough...
Archie Goodwin goes undercover, unconvincingly and unsuccessfully, in Goldsborough’s 12th Nero Wolfe pastiche (Stop the Presses!, 2015, etc.).
Having just closed a case that brought him a big retainer, Wolfe, currently immersed in reading The Hidden Persuaders and Silent Spring, isn’t eager to listen to rival orchid grower Lewis Hewitt’s friend Broadway producer Roy Breckenridge. Even after he responds to the irresistible bait Hewitt dangles before him, Wolfe learns little from Breckenridge’s account of vague misgivings about his production of Death at Cresthaven despite its laudatory reviews and respectable box office earnings. Since Wolfe leaves home only to visit his barber, he sends Archie to poke around in the guise of one Alan MacGregor, a writer for the fictitious StageArts Canada, recalling Archie's similar role in Rex Stout's If Death Ever Slept (1957). Archie’s cover keeps his interviews with Tony-hungry leading lady Ashley Williston, Hollywood action star Brad Lester, juvenile Steve Peters, ingénue Melissa Cartwright, character actors Max Ennis and Teresa Reed, and stage manager Hollis Sperry anodyne, and he’s looking elsewhere when somebody spikes Breckenridge’s Coca-Cola with arsenic. Wolfe, predictably miffed—though no more miffed than Inspector Cramer or Lon Cohen, Archie’s pal at the New York Gazette—summons the suspects seriatim to his brownstone, spots a telltale omission few readers will notice, and announces the culprit at a ritual gathering of them all at the same venerable location.
Grade A for franchise allusions, B-minus for dialogue, C for backstage atmosphere, and F for plotting, since Goldsborough relies on the same relentlessly unvaried Q-and-A that gave golden-age mysteries such a bad name. As the new homicide cop says: “This has been one colossal waste of time.”Pub Date: March 7, 2017
ISBN: 978-1-5040-4111-9
Page Count: 250
Publisher: Open Road Integrated Media
Review Posted Online: Jan. 31, 2017
Kirkus Reviews Issue: Jan. 1, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
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