The first day of first grade looms, and Little Cliff has sadly lined up his toys to bid goodbye: “ ‘I can’t play with y’all no more. I gotta go to Miss Maxey’s school way down the road, a million miles from here. I know you gonna miss me, ’cause I miss y’all already.’ ” Next morning, great-grandmother Mama Pearl accompanies him to the playground—where he delightedly discovers that, contrary to what the grown-ups around him have been implying, there’s going to be more to school than “work, work, work,” and “quiet, quiet, quiet.” With expert, warmly sympathetic realism, Lewis captures Little Cliff’s hangdog face and body language to perfection; young children having their own qualms about school will readily identify with this reluctant scholar, and so may share his relief at the end as well. It won’t matter that this is set in the rural 50s, a time of lunch buckets and suspenders and brown oxfords. This is some of Lewis’s best work, emotion-laden watercolors capturing an important time and place. There’s something here for older readers to ponder too, in Mama Pearl’s unexplained tears and pride as Little Cliff races off to join his friends in the schoolyard. An affecting sequel to Little Cliff and the Porch People (1999) that was the first to offer some of Taulbert’s characters from his adult memoirs to young readers. (Picture book. 5-7)
Pub Date: June 1, 2001
ISBN: 0-8037-2557-4
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
BOOK REVIEW
BOOK REVIEW
This exploration of the fear of the new and different—the strange, as in “stranger”—is so heavily tilted to the gathering worries of the young protagonists that the ultimate meeting with the object of their concern is supremely anticlimactic. Two kittens, Cosy and Posy, are informed by their mother that Giraffe is coming to dinner. Having never met Giraffe, the kittens are at first curious and then increasingly alarmed as they hear from their friends about Giraffe’s oddness, from his long neck and spots to his height. When Giraffe appears, he offers the kittens his neck as a slide and instantly all is right with the world. There is relief, but no sense that the kittens know how baseless their fears were, nor that their trepidations were simply products of their imaginations. Readers may come away with the feeling that the kittens were soothed this time, but that the next time their fears will be just as out of control. (Picture book. 3-6)
Pub Date: March 1, 1999
ISBN: 0-531-30059-5
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
Bartlett doesn’t allow readers not to like her artwork, with the brio and dash of her thick colors and the instant appeal of her characters’ faces. The same applies to Doherty’s trim little story, which is full of enjoyable word play. Paddiwak, a cat and “a heartthrob (quite a snob), very smart in his neat black suit,” rules his roost until the day, that “terrible day,” when Sally brings home another cat, and what a cat: “A laugh of a cat, a dumpling cat with a black bit here and a white bit there, floppy round the tummy and great big paws.” Paddiwak takes grave offense, hisses, and leaves, huffing that he will never return. The new cat explores timidly, while Paddiwak stews outside. Just when the new cat is feeling really lonely and blue, the dark and the rain suggest to Paddiwak that he end his self-imposed exile. He is sodden and rumpled as he sneaks into a favorite den and finds “something as cuddly as a cushion to lay his head on.” That’s the new cat, now called Cozy, and so is the story, where a cat can act like a fool without being condemned as one, as long as he knows when to come in out of the rain. (Picture book. 3-6)
Pub Date: Oct. 1, 1999
ISBN: 0-531-30180-X
Page Count: 28
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
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