Ninth installment in the Dirk Pitt ocean-bottom salvage saga (Raise the Titanic, Cyclops, Treasure), with a dramatic upgrading in the writing. This time out, Cussler keeps a tight plot under a favoring wind and does not fill out his 416 pages with a surplus of subplots—though, to be sure, the story builds on Saturday-matinee cliffhangers and has the usual aircraft blueprints, as well as the Cussler clangor of underwater hardware, for bolting down fantasy. (A character barely picks up a telephone without our getting its specs, including holographics—we're into 1993—and distant speakers facing each other in 3-D.) The story: In 1945, a third plane carrying an atomic bomb to Japan is shot down and sinks off a Japanese island. The waterproof bomb lies down there for 50 years. In 1993, Dirk Pitt mines the sea-bottom with a colossal submersible tractor near the lost plane when a huge Japanese automobile-carrying cargo ship miles above him blows up, destroying two other ships nearby. It seems that a secret Japanese crime cartel, set on raising Japan to world trade dominance starting with a takeover of the US, has been making A-bombs. Lacking missiles, the cartel smuggles its small A-bombs in Japanese automobiles into various US cities and is now ready to blackmail the President for their big takeover. The cartel works out of Dragon Center, the island near where the US A-bomb sank. Dirk Pitt, now drawn into a US secret agency for locating the Japanese bombs (the cartel explodes one bomb in Wyoming for demonstration purposes), is given a new submersible tractor, since his last was destroyed in the accidental A-bomb explosion of the automobile cargo ship, and is sent down to blow up the US bomb in the sunken bomber, thus causing an earthquake and tsunami that will wipe out Dragon Center. Naturally, blowing up an A-bomb poses some threat to Dirk's life—but he does it, and his submersible sinks under a tremendous mudslide into a huge trench. Next we are reading deathproof Dirk's obit. Can he really be. . .? More surpassingly improbable than Indiana Jones, but much fun, crisply told, with exciting special effects. By now, Cussler has spent nearly 5,000 pages mucking around in oceanic blackness. Obsessive?
Pub Date: June 4, 1990
ISBN: 1416537805
Page Count: 609
Publisher: Simon & Schuster
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: May 15, 1990
If the elusive Pynchon regularly cranked out novels, then this latest addition to his semi-classic oeuvre would be considered an excellent, if flawed, fiction, not as demanding and complex as Gravity's Rainbow, nor as neat and clever as The Crying of Lot 49 and V. As it is, coming 17 years since the last book, it's something of a disappointment.
Yes, it's compulsively funny, full of virtuoso riffs, and trenchant in its anarcho-libertarian social commentary. But there's a missing dimension in this tale of post-Sixties malaise—a sense of characters being more than an accumulation of goofy allusions and weird behavior. And all of its winding, conspiratorially digressive plot adds up to a final moment of apparently unintentional kitsch—a limp scene reuniting a girl and her dog. Built on flashbacks to the 60's, the story reenacts in 1984 the struggles that refuse to disappear. Not politics really, but the sense of solidarity and betrayal that marks both periods for the numerous characters that wander into this fictional vortex. At the center is Frenesi (Free and Easy) Gates, who's anything but. A red-diaper baby and radical film-maker during the rebellion-charged 60's, Frenesi sold her soul to a man in uniform, the quintessential Nixon-Reagan fascist, Brock Vond, a fed whose manic pursuit of lefties and dopers finds him abusing civil rights over three decades. He's motivated not just by innate evil, but by his obsession with Frenesi, whom he sets up as a sting-operation expert protected under the Witness Protection Program. Meanwhile, the venomous Vond sees to it that Frenesi's hippie husband, Zoyd Wheeler, and her daughter, Prairie, are "disappeared" to Vineland, the northern California town where L.A. counterculturalists lick their collective wounds among the redwoods, and bemoan "the heartless power of the scabland garrison state the green free America of their childhoods even then was turning into." Brilliant digressions on Californian left-wing history, the saga of The People's Republic of Rock and Roll, a Mob wedding, and the living dead known as the Thanatoids all come bathed in the clarity of Pynchon's eye-popping language.
Pynchon's latest should prove to the legions of contemporary scribbler-fakers that it isn't enough to reproduce pop-schlock on the page, it needs to be siphoned through the kind of imaginative genius on display everywhere here.
Pub Date: Feb. 1, 1990
ISBN: 0141180633
Page Count: 385
Publisher: Little, Brown
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Jan. 15, 1990
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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