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ONE FOR SORROW, TWO FOR JOY

Despite the New Age idioms, Woodall keeps his story light and its pace quick, suggesting parallels between animal warfare...

Already optioned by Disney, this British bestseller by first-time author (and ex-grocer) Woodall describes an avian civil war, with the crows and magpies trying to exterminate every other species.

Although the comparisons to Watership Down are inevitable, this is a highly original animal fantasy that, options notwithstanding, sounds much less like a Disney cartoon than one might expect. Set amid the fens and woodlands of the winged realm of Birddom, it envisions a dystopian world where the loathsome magpies (carrion birds who have overpopulated and grown fat from their rich diet of highway roadkill) have made common cause with the equally parasitical crows to kill off all rival bird-life and set themselves up as the unchallenged dictators of the sky. Their leader is the cruel and perverted Slyekin, who (with his bloodthirsty lieutenant Traska) strikes terror into even the blackest hearts of his fellow magpies. Ruthlessly killing all smaller species they encounter, the magpies initially make good headway on their genocidal dreams, even to the point of killing Kirrick, the last robin known in Birddom. Or so they think. For the noble Kirrick has actually eluded Slyekin’s assassins and has made his way to the Great Owl Tomar, a survivor of the once-mighty Council of Owls. Old, weary and wise, Tomar encourages Kirrick to reconvene the long-since scattered Council as a means of fighting off the assault of the magpies, and Kirrick sets out secretly to rouse birds to fight for their survival. Along the way, he is helped by Portia, another robin who has managed to save herself from the magpies, and the two scheme their way through the talons of the magpies with all the wile of Ulysses.

Despite the New Age idioms, Woodall keeps his story light and its pace quick, suggesting parallels between animal warfare and the human world but never overwhelming us with message.

Pub Date: Jan. 4, 2005

ISBN: 0-441-01265-5

Page Count: 320

Publisher: Ace/Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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