Splendid introductions, chock-full of villainous revelations and insights both figurative and literal.
The title can be taken literally, as the figures of a wolf, a giant, and a witch posing on the right sides of each big spread are kitted out with artful multilayered flaps that, lifted up, reveal contents of heads and stomachs as well as underclothes and pockets full of knives, captive children, or other treasures.
Thus, readers tantalized by the wolf’s list of strengths and flaws and a full version of “The Wolf and the Seven Little Goats” beneath the gatefold opposite can peel aside his pelt to see him clad in “Grandma’s nightgown,” open up his head to see strategies for getting into various houses, move his jaws up and down to marvel at his big teeth, and lift up a cut spiral to view kids and other victims in his “Misery-guts.” Or lift the witch’s petticoat for a gander at her underpants, or peer beneath the giant’s vest to reveal tattoos with “Hangry,” “Sausage Power,” and other legends. Each villain is presented with one unabridged tale (“Jack and the Beanstalk” and “Alyoshka and Baba Yaga” are the other two) and lots of oblique but easily recognizable references (“THINGS I HATE: Mirrors, girls fairer than I, children who are too smart, wide open ovens”). In addition, each profile includes a list of other related, popular stories (mostly but not entirely European). The witch, the giant, and all of the smaller human figures are white.
Splendid introductions, chock-full of villainous revelations and insights both figurative and literal. (Novelty/folklore. 6-10)Pub Date: Aug. 1, 2018
ISBN: 978-1-776571-98-7
Page Count: 12
Publisher: Gecko Press
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...
Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.
Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91677-8
Page Count: 32
Publisher: HMH Books
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
The underwater setting adds some dimension to straightforward friendship stories.
Prolific Dadey's (Keyholders: The Wrong Side of Magic, 2010, etc.) latest series follows young mermaids through turbulent friendships.
Eight-year-old best friends Shelly and Echo are overjoyed to be starting school at the prestigious Trident Academy at the same time. Rambunctious and good-natured, together they cause mild trouble, especially in trying to find a way to make grumpy Mr. Fangtooth crack a smile. Their friendship wobbles when they disagree over whether to ask Shelly's grandfather for help on a school project or not. The minor tiff leads to Echo's sudden friendship with Pearl, a rich snob who dislikes Shelly most of all. Echo and Shelly miss each other, though, and restore their friendship while reaching out to another mermaid who is new to the area and has made friends. While Echo and Shelly are not particularly distinctive, and Pearl and the archetypal token boy, Rocky, are cartoony, the characters' interactions are funny and believable. The friendship-driven conflicts continue in Battle of the Best Friends (publishing simultaneously). In Battle, Pearl books a top under-the-sea band to perform and invites Echo but not Shelly; the end again reinforces the importance of inclusiveness and rewards those who are nice.
The underwater setting adds some dimension to straightforward friendship stories. (class reports written by each character, song lyrics, author's note, glossary) (Fantasy. 6-9)Pub Date: May 18, 2012
ISBN: 978-1-4424-4978-7
Page Count: 112
Publisher: Aladdin
Review Posted Online: Feb. 28, 2012
Kirkus Reviews Issue: March 15, 2012
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
