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Eerie

A charming and inventive tale with a brave heroine confronting romance and dangerous entities.

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A young woman must deal with a missing sister and a peculiar university in this debut paranormal adventure.

Hailey’s life is not quite what it seems. She works with her sister Holly as a waitress at her family’s pub in Pittsburgh, dancing for the crowd and teasing the friendly bartender, Fin. The bar is a popular local spot run by her Uncle Pix, who has taken care of the sisters since their parents died in a fire. In her dreams, Hailey sees a strange being named Asher. When Holly disappears, the normal veneer of Hailey’s life begins to evaporate. She learns Asher is an Envoy, responsible for ferrying souls from the earthly world to the other side. He and his fellow Envoys are trapped in a realm between heaven and Earth, and Hailey’s death would allow them to return home. One in particular, Cobon, is plotting to see this happen. Hailey’s life changes when she leaves Pittsburgh for a university in The Middle of Nowhere, Alaska, where she learns of the paranormal world she’s about to become a bigger part of. Fin is not what he seems either—he and Asher are both part of the university. And they both want to protect her, but they’re at odds with each other, creating a complicated love triangle with Hailey’s life hanging in the balance. There are obvious parallels to the Harry Potter series and the YA novels that followed in its wake. Hailey has to suddenly come to grips with a perilous new world and finds out she’s more special than she thought she was. The university is populated with weird and wonderful characters, just as Hogwarts was in the Potter books. But McCoy has been careful to create her own mythology, familiar enough to draw in readers and unique enough to keep their interest. In Alaska, there are people-eating trees, yetis, and poltergeists. The Envoys can be terrible beasts, but Asher’s struggle with his love for a human becomes compelling. Hailey is a strong character even when she doesn’t realize it, which gives her an inviting vulnerability. And the revelations surrounding Fin as his story unfolds make for some delightful surprises. There are a lot of facets to recommend here, chief among them McCoy’s worldbuilding ability and characters readers will surely want to see again.

A charming and inventive tale with a brave heroine confronting romance and dangerous entities.

Pub Date: Dec. 15, 2015

ISBN: 978-1-62342-232-5

Page Count: 434

Publisher: Omnific Publishing

Review Posted Online: Oct. 24, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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