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THE ELEPHANT AND THE PIANO

A heartwarming testament to music’s healing power and the difference one caring individual can make.

In this story based on actual events, a pianist discovers an extraordinary way to connect with a troubled elephant at a Thai sanctuary along the River Kwai.

Bonti is isolated and angry; his fellow pachyderms and humans avoid him. But when Paul, a pale-skinned, white-haired Englishman, brings his piano to play Beethoven by the riverbank, something remarkable unfolds. Bonti listens, rapt. Adani’s illustrations, rendered in gouache, watercolor, oil pastel, and digital media, shimmer with emotion. The art glows with golden yellows and warm greens during daytime scenes, then shifts to deep blues punctuated by glowing orbs of light as more elephants gather to listen one night. Adani’s compositions skillfully convey Bonti’s transformation. Early spreads show him dwarfing the landscape in solitary vastness, while later scenes depict him surrounded by his herd, all swaying and “plink[ing]” and “plonk[ing]” on the piano that Paul has specially built for elephants. The mixed-media approach creates rich, textured layers that give depth to both the lush Thai landscape and the animals’ expressive faces. Hiller’s text strikes an ideal balance, providing enough detail to ground the story while maintaining a gentle, accessible pace for young readers. The backmatter enriches the narrative with information about the real Paul Barton, whose ongoing work playing piano for rescue elephants continues today. This inspiring account demonstrates how one person’s compassion and creativity can profoundly impact even the most angst-ridden soul.

A heartwarming testament to music’s healing power and the difference one caring individual can make. (Picture book. 4-8)

Pub Date: May 5, 2026

ISBN: 9781464266799

Page Count: 40

Publisher: Sourcebooks eXplore

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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CECE LOVES SCIENCE

From the Cece and the Scientific Method series

A good introduction to observation, data, and trying again.

Cece loves asking “why” and “what if.”

Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.

A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)

Pub Date: June 19, 2018

ISBN: 978-0-06-249960-8

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

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FIND MOMO EVERYWHERE

From the Find Momo series , Vol. 7

A well-meaning but lackluster tribute.

Readers bid farewell to a beloved canine character.

Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.

A well-meaning but lackluster tribute. (Picture book. 4-8)

Pub Date: Feb. 6, 2024

ISBN: 9781683693864

Page Count: 32

Publisher: Quirk Books

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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