A heartwarming testament to music’s healing power and the difference one caring individual can make.
In this story based on actual events, a pianist discovers an extraordinary way to connect with a troubled elephant at a Thai sanctuary along the River Kwai.
Bonti is isolated and angry; his fellow pachyderms and humans avoid him. But when Paul, a pale-skinned, white-haired Englishman, brings his piano to play Beethoven by the riverbank, something remarkable unfolds. Bonti listens, rapt. Adani’s illustrations, rendered in gouache, watercolor, oil pastel, and digital media, shimmer with emotion. The art glows with golden yellows and warm greens during daytime scenes, then shifts to deep blues punctuated by glowing orbs of light as more elephants gather to listen one night. Adani’s compositions skillfully convey Bonti’s transformation. Early spreads show him dwarfing the landscape in solitary vastness, while later scenes depict him surrounded by his herd, all swaying and “plink[ing]” and “plonk[ing]” on the piano that Paul has specially built for elephants. The mixed-media approach creates rich, textured layers that give depth to both the lush Thai landscape and the animals’ expressive faces. Hiller’s text strikes an ideal balance, providing enough detail to ground the story while maintaining a gentle, accessible pace for young readers. The backmatter enriches the narrative with information about the real Paul Barton, whose ongoing work playing piano for rescue elephants continues today. This inspiring account demonstrates how one person’s compassion and creativity can profoundly impact even the most angst-ridden soul.
A heartwarming testament to music’s healing power and the difference one caring individual can make. (Picture book. 4-8)Pub Date: May 5, 2026
ISBN: 9781464266799
Page Count: 40
Publisher: Sourcebooks eXplore
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
BOOK REVIEW
A good introduction to observation, data, and trying again.
Cece loves asking “why” and “what if.”
Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.
A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)Pub Date: June 19, 2018
ISBN: 978-0-06-249960-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
A ribald and uproarious warning to those unschooled in fishy goings-on.
Sharpson offers so-fish-ticated readers a heads up about the true terror of the seas.
The title says it all. Our unseen narrator is just fine with other animals: mammals. Reptiles. Even birds. But fish? Don’t trust them! First off, the rules always seem to change with fish. Some live in fresh water; some reside in salt water. Some have gills, while others have lungs. You can never see what they’re up to, since they hang out underwater, and they’re always eating those poor, innocent crabs. Soon, the narrator introduces readers to Jeff, a vacant-eyed yellow fish—but don’t be fooled! Jeff’s “the craftiest fish of all.” All fish are, apparently, hellbent on world domination, the narrator warns. “DON’T TRUST FISH!” Finally, at the tail end, we get a sly glimpse of our unreliable narrator. Readers needn’t be ichthyologists to appreciate Sharpson’s meticulous comic timing. (“Ships always sink at sea. They never sink on land. Isn’t that strange?”) His delightful text, filled to the brim with jokes that read aloud brilliantly, pairs perfectly with Santat’s art, which shifts between extreme realism and goofy hilarity. He also fills the book with his own clever gags (such as an image of Gilligan’s Island’s S.S. Minnow going down and a bottle of sauce labeled “Surly Chik’n Srir’racha’r”).
A ribald and uproarious warning to those unschooled in fishy goings-on. (Picture book. 4-7)Pub Date: April 8, 2025
ISBN: 9780593616673
Page Count: 40
Publisher: Dial Books
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
PERSPECTIVES
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