by Colin Quinn ‧ RELEASE DATE: June 9, 2015
Dark and gritty comedy served with just a little too much rancor. Quinn squanders a promising opportunity in a memoir that...
The comedian and former Saturday Night Live Weekend Update host tackles race and political correctness.
At a certain point in this often jarring meditation about growing up in 1970s Brooklyn, the author warns readers that many of them will probably come away thinking he's an ass. He may be right about that. There’s little in this Irish comic’s impressions about nearly any race that hasn’t already been heard many times before. It’s true that Quinn's over-the-top generalizations about particular cultural predilections are clearly more comic than critique, but by now, hearing yet again how the Irish are like this, or the Asians are like that, and so on, will strike many as tiresome. Fortunately, Quinn doesn't rely too heavily on his ethnic jabs to score points, choosing wisely to expend just as much energy, if not more, on self-deprecation. Whether recounting a drunken and deranged attempt to rip off a couple of sex workers secretly armed with rock-lined handbags or a particularly ugly incident groping a sad and lonely shut-in during a liquor store home delivery, Quinn demonstrates a laudable frankness that probably didn’t automatically manifest itself once he sobered up. “Talk about beer muscles,” he writes. “When I drank I was convinced I was an intellectual martial arts champion. I swaggered around the streets of New York City like I owned them.” The heat-cooked asphalt and glass-strewn streets that helped shape the author’s former hard-living ways are, indeed, a richly textured font of engrossing escapades. Quinn excels best when recounting his alcohol-soaked adventures, although he never spends enough time in any one locale before he’s off again characterizing what he has found to be the best and worst in its diverse inhabitants.
Dark and gritty comedy served with just a little too much rancor. Quinn squanders a promising opportunity in a memoir that ping-pongs between bar-stool pontification and bad-boy confessional.Pub Date: June 9, 2015
ISBN: 978-1-4555-0759-7
Page Count: 256
Publisher: Grand Central Publishing
Review Posted Online: April 27, 2015
Kirkus Reviews Issue: May 15, 2015
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by Colin Quinn
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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