Next book

THE LEVERAGE OF SEA POWER

THE STRATEGIC ADVANTAGE OF NAVIES IN WAR

A think-tank intellectual's persuasive, if tedious, reminder that sea power confers decisive military superiority—even in an era marked by advances in aerospace, ballistic, electronic, nuclear, submarine, and allied technologies. Gray (president of the National Institute for Public Policy) is a latter-day pragmatist who coolly evaluates the evidence offered by major conflicts down through the ages. Moving back and forth in time, he assesses the nautical lessons to be learned from the Peloponnesian War; the defense of the Byzantine Empire (from about A.D. 400 through 1453); the rise and fall of Venice; the protracted strife between Great Britain and France (1688-1815); WW II; and the cold war. While many of the author's insights are buried beneath pedantic prose, offhand allusions, and academic jargon (e.g., ``environmentally specific advantage''), his geostrategic conclusions are clear enough—that control of the seas yields global mobility, with no continental parallel, for maritime forces and merchant shipping. Along similar lines, Gray argues that many Western politicians and constituencies have consistently failed to understand that the primary purpose of navies is not to engage in deep-water battles with their foes but to maintain oceanic dominion as an ``enabling agent'' of victory. Whether nonspecialists will take much interest in Gray's informed—albeit donnish and often murky—analyses, though, is quite another story.

Pub Date: Nov. 2, 1992

ISBN: 0-02-912661-4

Page Count: 350

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1992

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Close Quickview