A thoughtful exploration of how poverty impacts people's choices and blurs the lines between good and bad behavior.
A 19-year-old Kentucky girl—the product of a one-night stand—finds her addict mother dead and ends up spending the summer in Texas with her father and his family.
After a lifetime of active neglect from her mother, Beyah Grim comes home one day from her shift at McDonald’s to find her dead on the sofa, needle still in her arm. All the child support money sent by her father has been spent on her mother’s addictions. The system has failed her. She taught herself to use a stove at age 6 and did whatever was necessary throughout her life to make sure there was food on the table. She's vowed never to become like her mother, and volleyball is her way out—all she needs is a place to stay for two months until her full ride to Penn State begins on Aug. 3. So when she's quickly evicted from the trailer she and her mother shared, she calls her father; he books her a ticket on the earliest possible flight to Houston. When she arrives, she discovers that Alana, her father’s wife of a year, has a daughter named Sara who's just a little older than Beyah and a summer house on the beach on Bolivar Peninsula, where Beyah and her father head straight from the airport. Once Beyah settles in, Sara and her boyfriend, Marcos, begin trying to set her up with their friend Samson. Pegging the guy as a rich douchebag, Beyah soon realizes there's more to him that he lets on and that despite his purported wealth he is just as damaged as her. This is the story of a summer love affair as Beyah and Samson get to know one another, sharing their darkest secrets until Samson’s past catches up with him. Hoover spends a lot of time dissecting class prejudices against a gossamer backdrop of summer love that evolves to become much more.
A thoughtful exploration of how poverty impacts people's choices and blurs the lines between good and bad behavior.Pub Date: Jan. 31, 2023
ISBN: 9781668021910
Page Count: 368
Publisher: Atria
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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