This quirky, complex, and frustrating heroine will win hearts and challenge assumptions about family dysfunction and mental...
With the help of unusual houseguests, a teenage girl who tries to rebel by airing her family’s dirty laundry cleans up her act instead.
To Merit Voss, the white picket fence around her house is the only thing normal about the family it contains. She lives in a converted church with her father, stepmother, and siblings, and although her parents have been divorced for years, her mother still lives in the basement, struggling with social anxiety. No one in her family is religious, so her brother Utah updates the church marquee every day with fun facts instead of Bible verses. Merit is less accomplished than her identical twin sister, Honor, so she likes to buy used trophies to celebrate her failures. But Honor seems to have a fetish for terminally ill boys, so it’s a surprise to Merit when Sagan, who is perfectly healthy, kisses Merit after mistaking her for her sister—and then reveals that he’s living in their house. Soon they have another houseguest, Luck, whose connection to the family makes Merit even more convinced she’s living in a madhouse. So why is everyone so angry at her? Merit has a love/hate relationship with her sister. She's conflicted by her feelings for Sagan, who leaves intriguing sketches (illustrated by Adams) around the house for her to decipher. She’s simultaneously intrigued and repulsed by Luck, who annoys her with his questions but is also her confidant. She can’t sit through dinner without starting a fight; she’s been skipping school for days; and when she decides to give her whole family the silent treatment, Sagan is the only one who notices. In fact, he and Luck are the only people in the house who recognize Merit’s quirks for what they really are—cries for help. And when Merit takes drastic measures to be heard, the fallout is both worse and much better than she feared. Hoover (It Ends With Us, 2016, etc.) does an excellent job of revealing the subtle differences between healthy teenage rebellion and clinical depression, and Merit’s aha moment is worthy of every trophy in her collection.
This quirky, complex, and frustrating heroine will win hearts and challenge assumptions about family dysfunction and mental illness in a life-affirming story that redefines what’s normal.Pub Date: Oct. 3, 2017
ISBN: 978-1-5011-7062-1
Page Count: 384
Publisher: Atria
Review Posted Online: Aug. 5, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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