A poignant romance in dire need of a firm editor’s hand.
A married English noblewoman looks back over her 17-year love affair with a younger man.
Hadlow’s fact-based historical novel begins with Harriet Bessborough, now 51, deciding to get over the heartbreak of her lover ending their relationship by rereading the hundreds of letters he sent her, hoping they will “illuminate the truth of what had passed between us.” Her devoted maid, Sally, advises against it, but she goes ahead. A sealed envelope inscribed “Naples, 1794” containing some dried herbs is the last of this framing device for more than 400 very leisurely pages, until Harriet announces, “And there, I suppose, my story stops.” In between, a straightforward first-person account chronicles breathtakingly handsome Lord Granville’s determined pursuit of Harriet, who, despite an unhappy marriage, holds out for a third of the novel’s length—far too long, given that readers already know she will succumb. After she finally gives way and discovers physical bliss she has never known with her husband or in a few previous desultory affairs, Harriet wallows in guilt and agonizes endlessly about the 13-year age difference she is sure will lead to Granville leaving her to marry someone younger. (Given her refusal to run away with him so her husband will divorce her and they can marry, this is pretty much a foregone conclusion.) Sharp thumbnail sketches of such real-life figures as Harriet’s husband, Lord Bessborough, and Regency-era social doyenne Lady Melbourne only occasionally alleviate the fatigue of a repetitive, minutely detailed exegesis of the tortured romance. Alternating Harriet’s overflowing tears and halfhearted attempts to stop seeing Granville with bouts of lovemaking followed by more guilt and recriminations, Hadlow’s well-written and carefully researched tale seriously outstays its welcome. It’s a pity, because the tender, rueful closing chapters almost make up for the unduly detailed narrative that precedes it.
A poignant romance in dire need of a firm editor’s hand.Pub Date: Jan. 20, 2026
ISBN: 9781250129468
Page Count: 480
Publisher: Henry Holt
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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