Whereas Austen was preoccupied with subtle digs at mores and manners, McCullough (Antony and Cleopatra, 2007, etc.) bursts...
In McCullough’s sensational sequel to Pride and Prejudice, wallflower sister Mary Bennet sheds her cocoon, as Elizabeth and Darcy contemplate divorce.
Mary, dismissed by her family as plain, has been for two decades designated caregiver to scatterbrained Mrs. Bennet, who passes on while awaiting tea. Twenty years after Elizabeth Bennet married Fitzwilliam Darcy, their marriage is threatened by sexual dysfunction on both sides. Darcy’s disappointed in his heir, Charles, thanks to vicious rumors spread by his jilted ex, Caroline Bingley, that the too-handsome Oxford scholar is light in the loafers. Slatternly sister-in-law Lydia, a hopeless drunk, has turned up at the Darcy country seat, Pemberley, to spew swoon-inducing profanity. Mary, now lovely thanks to cosmetic interventions by Lizzy’s pharmacist and dentist, but driven by her spinster’s crush on anonymous newspaper correspondent Argus, embarks on a quest to expose the outrages perpetrated upon England’s poor. Argus is really Darcy’s friend Angus, wealthy Scottish publisher of the Westminster Chronicle. Enchanted by Mary, this 40-ish bachelor dares not propose to the skittish bluestocking. Mary journeys across England by stagecoach, no way for a gentlewoman to travel, and encounters situations unimaginable or at least indescribable by Austen. She’s pawed by ruffians, waylaid by a highwayman named Captain Thunder and kidnapped by the “Children of Jesus,” a cave-dwelling congregation of abandoned children led by a renegade alchemist named Father Dominus. Angus, Darcy and Charles, who’s manning up, search for Mary. Darcy’s devoted fixer and factotum Ned is also on Mary’s trail, along which he’s surreptitiously strewn several corpses. Mary, the titular heroine, is still, despite her makeover, too bland to be interesting. The attention-grabbers are Lizzy, whose sarcasm has begun to pall on Darcy, incorrigible harpy Caroline and, unexpectedly, self-appointed avenging angel Ned, who could anchor his own Georgian-era noir novel.
Whereas Austen was preoccupied with subtle digs at mores and manners, McCullough (Antony and Cleopatra, 2007, etc.) bursts from the drawing room to paint Austen’s milieu in lurid colors.Pub Date: Jan. 1, 2009
ISBN: 978-1-4165-9648-6
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
Sneering tone and choppy style mar this first novel, set in Sydney, from Australian author Moriarty.
Meet the Kettle sisters: 33-year-old triplets.
Gemma, Cat, and Lynne had the childhood from hell, thanks to their battling parents, and they still haven’t decided what they want to be when they grow up—if they grow up. They haven’t forgiven Mum and Dad and they can’t forget, for example, their sixth birthday party, when their father lit a firecracker and blew his finger off (it was preserved in Formaldehyde as a gruesome memento of the occasion). How ironic: it was his ring finger—an apt symbol of an explosive marriage. Some years later, after their parents’ divorce, the sisters leave home to confront hard truths about life and love. Family secrets and garden-variety troubles are trotted out in no particular order: Mum’s miscarriage. Frail but feisty granny. Unfaithful husbands and useless boyfriends. Happy ending? Oh, why not.
Sneering tone and choppy style mar this first novel, set in Sydney, from Australian author Moriarty.Pub Date: June 1, 2004
ISBN: 0-06-058612-5
Page Count: 352
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 2004
Just the thing for readers who’d like to channel their frustration over the current geopolitical mess into the traditional...
Deaver’s latest sabbatical from his Lincoln Rhyme series (The Vanished Man, 2003, etc.) sends him back before WWII to a Day of the Jackal remake with a good-guy assassin.
Hitler may be nothing but a psychopathic freak, but Americans in high places are watching apprehensively as his plans to rearm Germany move forward under retired Col. Reinhard Ernst, his Plenipotentiary for Domestic Stability. It’s vital that Ernst, with his encyclopedic knowledge and his keen vision of a militarized Reich, be eliminated. So the Office of Naval Intelligence, backed up by the obligatory carrot from millionaire industrialist Cyrus Clayhorn and the stick from law-enforcement agencies, sends a secret weapon on the Manhattan, the ship carrying the American athletes competing in the Berlin Olympics: Paul Schumann, a button man credited with 17 gangland executions. The plan calls for Paul to meet with Reggie Morgan, the ONI officer who’ll help him get settled and provide a weapon and the inside info he’ll need for a successful hit. Even aboard the Manhattan, however, things start to go wrong, and Paul’s first meeting with Reggie ends with the shooting of a storm trooper whose death will surely bring the dread resources of the SS and the Gestapo down on them. As his mission spirals out of control and he hears Hitler’s tirelessly efficient police closing in on him, Paul finds himself leaning more and more on people like Käthe Richter, his landlady, and Otto Webber, a raffish black marketeer, and wondering whether Deaver’s well-earned reputation for boffo surprises will give him a chance to fire that rifle after all.
Just the thing for readers who’d like to channel their frustration over the current geopolitical mess into the traditional American values of cleverness, adaptability, and vigilante violence in the best of all possible causes.Pub Date: July 1, 2004
ISBN: 0-7432-2201-6
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
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