HUNTING TIME

Deaver lite: a fleet, irresistible tale with just enough twists to have been imagined by someone else.

After the reward money, as always, security consultant Colter Shaw searches for a missing person several other less scrupulous people are searching for, too.

The Midwestern startup Harmon Energy Products has worked feverishly to develop Pocket Sun, a room-sized nuclear reactor that holds serious promise for supplying African states’ energy needs. Its biggest innovation, founder Marty Harmon tells Shaw, is the security intervention trigger developed by engineer Allison Parker, a device that renders the reactor inoperable if it’s stolen. When an S.I.T. is itself stolen by an insider planning to sell it to one of Harmon’s competitors, Shaw promptly identifies the thief, earning a shot at a much bigger reward if he can find Allison Parker, who’s taken off with her daughter, teenage math prodigy Hannah, in response to the news that her ex-husband, former Ferrington Police Det. Jon Merritt, has been released from prison early. Allison’s testimony had put Merritt away for three years for assaulting and attempting to kill her. Now, hours after lawyer David Stein warns her that Merritt has been released after only a year, she and the vocally reluctant Hannah have taken a powder, and Merritt has grabbed Stein for information about where they might have gone. The complication is that Shaw and Merritt aren’t the only people looking for Allison; a crew of mobbed-up killers are on her trail as well. Remarkably for the reliably inventive author, that really is the main complication; the converging searches proceed along relatively predictable lines, though Deaver wouldn’t be Deaver if he didn’t have cannily timed surprises to detonate along the way.

Deaver lite: a fleet, irresistible tale with just enough twists to have been imagined by someone else.

Pub Date: Nov. 22, 2022

ISBN: 978-0-593-42208-3

Page Count: 432

Publisher: Putnam

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

THE FURY

More style than substance.

Michaelides takes a literary turn in his latest novel, employing an unreliable narrator, the structure of classical drama, and a self-conscious eye to dismantling the locked-room mystery.

The novel starts off with a murder, and with seven people trapped on an isolated Greek island lashed by a "wild, unpredictable Greek wind." The narrator, soon established as Elliot Chase, then zooms out to address the reader directly, introducing the players—most importantly movie star Lana Farrar. We meet her husband, Jason Miller, her son, Leo, and her friend Kate Crosby, a theater actress. We learn about her rise to fame and her older first husband, Otto Krantz, a Hollywood producer. We learn about Kate’s possibly stalling career and Leo’s plan to apply to acting schools against his mother’s wishes. We learn about Jason’s obsession with guns. And in fragments and shards, we learn about Elliot: his painful childhood; his May–September relationship with an older female writer, now dead; his passion for the theater, where he learned “to change everything about [himself]” to fit in. Though he isn't present in every scene, he conveys each piece of the story leading up to the murder as if he were an omniscient narrator, capable of accessing every character's interior perspective. When he gets to the climax, there is, indeed, a shooting. There is, indeed, a motive. And there is, of course, a twist. The atmosphere of the novel, set mostly on this wild Greek island, echoes strongly the classical tragedies of Greece. The characters are types. The emotions are operatic. And the tragedy, of course, leads us to question the idea of fate. Michaelides seems also to be dipping into the world of Edgar Allan Poe, offering an unreliable narrator who feels more like a literary exercise. As an exploration of genre, it’s really quite fascinating. As a thriller, it’s not particularly surprising.

More style than substance.

Pub Date: Jan. 16, 2024

ISBN: 9781250758989

Page Count: 320

Publisher: Celadon Books

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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